We’ve Been Misunderstanding UFOs | Filmmaker Dean Alioto on Non-Human Intelligence, Disclosure & Life Beyond Earth
- Why the word “alien” may be misleading us
- Whether UFOs represent technology, consciousness, or something else entirely
- If global sightings point to intent, intelligence, and pattern
- What governments may be managing—not hiding—about disclosure
- The psychological and societal impact of learning we may not be alone
- Why life beyond Earth could redefine humanity’s place in the universe
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Speaker 1: M H. Welcome back to Total Disclosure. My name's Ty
Speaker 1: and I'm the host of the show today. I'm actually
Speaker 1: really really excited to get this episode kicked off. I've
Speaker 1: been I've been having so much fun lately with the
Speaker 1: guests doing the in person shows, and you know, right now,
Speaker 1: I know I'm in a hybrid, hybrid mode. But the
Speaker 1: goal of course in the new year is to start
Speaker 1: bringing everybody in to the studio. Hence why I purchased
Speaker 1: it and have a second home to do this. So
Speaker 1: I'm really excited. We've been doing like a mix. Today
Speaker 1: we're gonna be doing the virtual one. If you're watching
Speaker 1: on YouTube, make sure like share, subscribe, you know, share
Speaker 1: with your friends, your families, your enemies, the grays. I
Speaker 1: really don't give a fuck as long as it's getting
Speaker 1: out there. And if you're listening on one of the
Speaker 1: great podcast platforms, leave a rating and a review. It
Speaker 1: takes twenty seconds. And lord knows you're gonna be on
Speaker 1: your phone all day anyway, so might as well help
Speaker 1: a brother out today. Today we're joined by award winning
Speaker 1: filmmaker and part time comedian UFO researcher Dean Aliotto, a
Speaker 1: true pioneer in modern UFO storytelling, from the cold classic
Speaker 1: the mcspherson Tape to consulting on James Fox is The Phenomenon,
Speaker 1: which arguably I think is one of the best films
Speaker 1: in the UFO community, and that is including Age of Disclosure.
Speaker 1: He has spent decades pushing this subject forward and after
Speaker 1: an eight year journey across countries and more than I
Speaker 1: think sixty interviews, is what he told me. His latest documentaries,
Speaker 1: The Alien Perspective and Life Beyond Earth are available on
Speaker 1: Amazon for purchase. I will already have the links in
Speaker 1: the description below. And we're gonna ask some of the
Speaker 1: biggest questions like he has regarding to humanity, uh and
Speaker 1: the phenomenon, and you know, this the biggest existential question
Speaker 1: that we face. It's something I'm really excited about. So Dean, welcome,
Speaker 1: h this is going to be really fun. I can't wait,
Speaker 1: and thank you for doing this.
Speaker 2: You're very welcome, brother, happy to be here.
Speaker 1: You are such a funny dude.
Speaker 2: Bro, great, no pressure, you gotta.
Speaker 1: I wish I did have you in studio today. There's
Speaker 1: something and and this isn't a takeaway from the virtual interviews,
Speaker 1: but there's like an electricity when you're in the same room.
Speaker 1: And where actually where I really fell in love with
Speaker 1: that was contact because I didn't I didn't aside from
Speaker 1: like introducing people like Bloodsoe and Melinda Leslie and Ryan Wood,
Speaker 1: I didn't watch a single panel. I was pulling people
Speaker 1: off off the floor and just dragging to the media
Speaker 1: room and doing interview after interview after interview after.
Speaker 2: Yeah, they won't let you back into the contact in
Speaker 2: the desert because.
Speaker 1: Of that, by the way, Yeah, I got kicked out.
Speaker 2: You're on the list.
Speaker 1: I'm on the list now. But I fell in love
Speaker 1: with it, the electricity of just feeding off the other person,
Speaker 1: and yeah, I just I would love to I can't
Speaker 1: wait to bring you here and so many others. But
Speaker 1: tell me a little bit about how because I mean
Speaker 1: some of the films you've worked on, like The Phenomenon,
Speaker 1: I mean The Phenomenon that's one of the first ones
Speaker 1: I recommend from people that are coming into this field.
Speaker 1: The Alien Perspective, that was one that I watched and
Speaker 1: I was so impressed with just the storytelling. So I'd
Speaker 1: just like to hear about how did you get into filmmaking,
Speaker 1: and you know, specifically UFO filmmaking.
Speaker 2: The journey started with a divorce. My father got me,
Speaker 2: my mother got my other brothers, older, younger, and so
Speaker 2: I spent a lot of time in Sacramento for the
Speaker 2: first nine years basically in my life. And so from
Speaker 2: seven to nine, I'm with my father and I'm out
Speaker 2: looking at the stars every night before I go to bed,
Speaker 2: just kind of imagining that there was someone else out
Speaker 2: there that was going through the same shit that I
Speaker 2: was going through, and you know, feeling not as alone.
Speaker 2: And so whenever I would see those stars sparkle, I
Speaker 2: always looked upon that as being a heartbeat for some reason,
Speaker 2: and it just kind of resonated. And then I started
Speaker 2: seeing shows like In Search of and would find books
Speaker 2: at the library that were, you know, dealing with you know,
Speaker 2: Charity's of the Gods and even put and stuff, anything
Speaker 2: weird that was out there that was fun. I was
Speaker 2: all all in. And and then I remember seeing I
Speaker 2: remember seeing I think it was called Interrupted Journey, the
Speaker 2: Barney and Betty Hill story ev movie with James Earl Jones,
Speaker 2: dath Vedo and and the Stelle Parsons, and that was
Speaker 2: creepy and great. And then I would say that. I
Speaker 2: saw Star Wars obviously first because I came out in May,
Speaker 2: and I had to see it four times because the
Speaker 2: story very simple story. Rescue Princess, destroy I'm not getting
Speaker 2: it giving away any spoilers here, destroy the Death Star.
Speaker 2: And that was it, as simple as that was. I
Speaker 2: couldn't take that in because I'm a little dyslexic and
Speaker 2: so I'm skewed visually, so I'm very forward visual. So
Speaker 2: I was just taking in all the art, direction, the costumes, everything,
Speaker 2: and it was just blowing my mind. It was just like,
Speaker 2: you know, uh crack. And so anyway, and then six
Speaker 2: months later we get close encounters with a third kind
Speaker 2: damn yeah, and that knocked me on my ass. And
Speaker 2: I remember at first going, well, I already have a
Speaker 2: mad crush on this other thing, Star Wars, and who's
Speaker 2: this guy coming along? Thinking he's going to work in
Speaker 2: sci fi as well, because my allegiance, you know, is
Speaker 2: to you know, and so anyway, it's like, you know,
Speaker 2: the socks and the phillies, what are you going to do? Well,
Speaker 2: you know what you got to do, so anyway, of course,
Speaker 2: But but the thing about close encounters are the third
Speaker 2: kind that star Wars didn't have is it had a
Speaker 2: spirituality where it takes this guy puts him on this.
Speaker 2: There's no bad guys in the whole film. Yet I'm
Speaker 2: watching watching clearly an action sci fi drama with with
Speaker 2: a healthy dose of comedy by the way, yeah, and
Speaker 2: and and relating to all of it and feeling this compulsion,
Speaker 2: this compelling that there's something bigger out there. And so
Speaker 2: when he's saying this means something in the movie throughout,
Speaker 2: I would look at the stars and I would say
Speaker 2: the same thing, this means something means So it totally
Speaker 2: connected with me resonating and that was that was it.
Speaker 2: And so I was. When I was younger, I did stunts.
Speaker 2: I had super stunt Super eight stunt movies. And then
Speaker 2: I was a magician. I was an escape artist, always performing,
Speaker 2: dealing with some forms of effects. And so here comes
Speaker 2: Spielberg again. At this point, I had dropped out of
Speaker 2: high school before I flunked out, because again I didn't
Speaker 2: know that I was dyslexic. I just knew that I couldn't.
Speaker 1: Like at that time, it's not like they were for
Speaker 1: that kind of stuff all the time, and like, unless
Speaker 1: you were, unless you're you know, specifically asking for these things.
Speaker 1: They're not going to pull you out and be like, hey,
Speaker 1: this is what's happening.
Speaker 2: No, they had tested. The only thing they did is
Speaker 2: early on they did an IQ test and that was it,
Speaker 2: and that was kind of a standard. I don't even
Speaker 2: think they do that anymore. And so I tested well
Speaker 2: enough on that that they thought, oh, this guy is
Speaker 2: you know, what's his problem? He's just lazy? Yeah, not
Speaker 2: knowing that you can test high, but yet you can
Speaker 2: be dyslexic, and you know, the two don't always dance
Speaker 2: well together. So anyway, I dropped out of school thing,
Speaker 2: and I was going to be for lack of better
Speaker 2: thing because I knew I love entertainment, that I was
Speaker 2: going to be an actor. But again, I was always
Speaker 2: more interested in how things came together, the mechanics of things.
Speaker 2: You know, if I was going out to audition for
Speaker 2: a school play, I would walk into the audition, I
Speaker 2: would go, this kid, that guy should do that part
Speaker 2: because he's better at it. But how are they going
Speaker 2: to do the tornado on stage? I want to see
Speaker 2: how that plays out. So I drop out six months.
Speaker 2: My mother's cool with it. She's like, you're going to
Speaker 2: read newspaper every day, and you're going to get a job.
Speaker 2: And so I'm doing that, and then I go to
Speaker 2: the movies and I see ET. Spielberg hits me again
Speaker 2: and I see a sneak preview of it. So I
Speaker 2: know nothing about this, and I'm like, hold on, my
Speaker 2: mother is now because I had moved back with my mother.
Speaker 2: So my mother's raising three boys on her own, three kids.
Speaker 2: I'm the fucked up middle child. Yep, tick that box.
Speaker 2: I love UFOs and aliens. There he is with an alien.
Speaker 2: Tick that box. And I'm seeing so much of my
Speaker 2: life in ET. And except for the product placement of
Speaker 2: Reese's pieces, I do anything. But I'm just looking at that.
Speaker 2: I'm going, Okay, this is something magical filmmaking where it
Speaker 2: can take what I had perceived as being like four
Speaker 2: hundred blows. You know Trufa's film if you haven't seen it,
Speaker 2: Okain or anything, it's a different type of blow. And
Speaker 2: I thought of it as a tragedy. In Spielberg's going no, no, no,
Speaker 2: this isn't a tragedy. This is special. This is fertilizer
Speaker 2: for imagination. So I came home and I literally said
Speaker 2: to my mother, I'm a filmmaker, that's it. And so
Speaker 2: from eighty two on which, by the way, eighty two
Speaker 2: can we talk about eighty two? Within a month and
Speaker 2: a half, here's what comes out each blade Runner, the
Speaker 2: thing wow, and something else really big?
Speaker 1: Was it?
Speaker 2: Tron? I forgot what it was. Yeah, within a short
Speaker 2: period of time, sci fi geeks were like, you know completely,
Speaker 2: you know they were made Oh in Nirvana, dude, it
Speaker 2: was amazing. And so anyway, I just I I went
Speaker 2: back to school, and first I got my ged, then
Speaker 2: then I got my Then I graduated, you know, got
Speaker 2: my full high school diploma, and then I got into
Speaker 2: a great film program at San Franschoo State University University.
Speaker 2: And it was Jesus Christ, I'm taking way too long
Speaker 2: to answer this question. Wasn't a simple question, and I
Speaker 2: went running with it. Yeah, but I'm at the precipice,
Speaker 2: so let me just I'll bring it home. I'll bring
Speaker 2: it home for us. So basically what happens is I
Speaker 2: again hit dyslexia wall because my syllabus hasn't it in English,
Speaker 2: A stack of books like this high and I'm thinking
Speaker 2: I'm not gonna be able to do it in a
Speaker 2: quarter and then I'm doing astronomy and I'm so excited,
Speaker 2: and then they start using trigonometry and I'm so I'm
Speaker 2: having to drop out of classes left and right. So
Speaker 2: I say, you know what, screw this, I'm going to
Speaker 2: take a year off, save up enough money and go
Speaker 2: to US see and just take film classes, extension classes.
Speaker 2: So I did that. So I went to US and
Speaker 2: took film classes and stuff, and that was great. And
Speaker 2: then finally what led me hardcore as a filmmaker into
Speaker 2: this was shortly thereafter I was turning twenty five, and
Speaker 2: because all of my filmmaking idols had made their first
Speaker 2: film by twenty five, there was undue pressure that I
Speaker 2: put on myself that I needed to make my first
Speaker 2: film by twenty five. And so back then it was
Speaker 2: either sixteen millimeter to shoot a movie or it was
Speaker 2: thirty five millimeter, which was extremely expensive, and so there
Speaker 2: wasn't DSLR and mirrorless, right. So anyway, I talked to
Speaker 2: a buddy of mine and he said, you know, hey,
Speaker 2: I'll help you, you know, finance your film. I'm like, great,
Speaker 2: what do you have? He said, I got sixty five
Speaker 2: hundred bucks. And I had been doing wedding videos with
Speaker 2: a buddy of mine, and I said, yeah, that's like
Speaker 2: the budget for wedding video, a nice wedding video that
Speaker 2: I don't that's not going to work.
Speaker 1: It's not going to bring us to where we need it.
Speaker 2: No. And then Whitley Streemer's book Communion Union and I
Speaker 2: and I read that. Actually I listened to the audio
Speaker 2: tape with Roddy McDowell and if you haven't listened to it, folks,
Speaker 2: unfortunately it's the abridge version. But Roddy McDowell mann does
Speaker 2: he totally crush it. Yeah, it's amazing. And so anyway
Speaker 2: I listen to that. I'm more terrified than any Stephen
Speaker 2: King book I'd ever read. And Roddy McDowell, if you
Speaker 2: guys don't know, was the original plan of the apes.
Speaker 2: He was Galen, he was Caesar. Yeah, yeah, And so
Speaker 2: he gave gives a great performance. And so I thought,
Speaker 2: oh shit, what if I because I'm so affected by this,
Speaker 2: and I want to be able to translate this to
Speaker 2: an audience who haven't had these experiences like myself, how
Speaker 2: would that look like? How do you put yourself in
Speaker 2: the first person? I mean, Dracula, all these great. You know,
Speaker 2: Gothic novels were done in that stall kind of first
Speaker 2: person that would put you in that like a journal.
Speaker 2: So I thought, what would be the equivalent of that
Speaker 2: as a filmmaker and a film And then I hit
Speaker 2: on the idea of, oh, what if we do a
Speaker 2: home video where something if we're a benign thing, like
Speaker 2: a little girl's five year old birthday party, and then
Speaker 2: the shit hits the fan and you introduced aliens and
Speaker 2: then they all one by one get abducted. And so
Speaker 2: that was it, and so I called up my friends
Speaker 2: said all right, we're back on let's do this, and.
Speaker 1: Now that budget kind of.
Speaker 2: Works right now, it's perfect. Now it's perfect. And we
Speaker 2: came in on budget. And the guy who did the
Speaker 2: ship in Aliens, who went on to do the first
Speaker 2: Fantastic Four film and work with Tim Burton, Bill Bowse
Speaker 2: is his name, amazing talent. He only had seven hundred
Speaker 2: and fifty bucks to do the ship in the Aliens
Speaker 2: and he crushed it and did a great job. So
Speaker 2: we make this thing, and so now I'm a filmmaker.
Speaker 2: I can chick you know, check that box box. Yeah,
Speaker 2: no one wants to touch it because it's so weird
Speaker 2: and it's ten years before blair Witch.
Speaker 1: I was gonna say, it's blair Witch before blair Witch
Speaker 1: makes that a popular the found footage kind of popular popularity.
Speaker 1: That's crazy.
Speaker 2: Yeah.
Speaker 1: Wow that So you said one thing that really interests.
Speaker 2: Me, though, only one thing. I'm sorry, no, no, let
Speaker 2: me work on it.
Speaker 1: God damn, I don't know how I'm gonna interview you.
Speaker 1: Uh you too busy freaking laughing. Uh. You said one
Speaker 1: thing that for people who weren't having these experiences like
Speaker 1: I was, So, what do you mean by that?
Speaker 2: I don't know, dude, I'm just talking out of my ass.
Speaker 1: I think you have any experiences with the phenomenon.
Speaker 2: No, And I'm pissed off because I'm dreaming of it.
Speaker 2: I'm the one that, you know, was that kids. Still
Speaker 2: every night I would, you know, not every night, but
Speaker 2: occasionally I would go back on my you know, porch
Speaker 2: of the house where I lived in the Bay Area,
Speaker 2: and I'm looking at the stars. I really want to
Speaker 2: have this experience, and after reading Whitley's book, I really
Speaker 2: want to, you know, specifically, you know, try to have
Speaker 2: a communion with them not happening, And so I think
Speaker 2: This is the reason why Spielberg keeps making UFL films,
Speaker 2: because we want this wish fulfillment. You know, we have
Speaker 2: this wish fulfillment that we want to cement and materialize,
Speaker 2: and so we use our imagination in order to recreate it.
Speaker 2: So flash forward after I make this movie and it
Speaker 2: gets distributed, and there's a whole other story there with
Speaker 2: a distribution company burn on the ground. I lost my
Speaker 2: main master and artwork, but some Mama Pop video stores
Speaker 2: had some advanced screeners and someone edited off the credits
Speaker 2: and injected to the UFO community, so it becomes this
Speaker 2: big UFO kind of sensation thing and believed to be real,
Speaker 2: et cetera. And I have to go on National TV
Speaker 2: and de bank my own film so that all happens,
Speaker 2: and then I end up doing a remake for UPN
Speaker 2: So the original was called UFO Abduction aka the McPherson Tape,
Speaker 2: and then I did a remake for UPN TV their
Speaker 2: first TV movie called Alien Abduction Instant Lake County, and
Speaker 2: that did well, which pissed off the new head of
Speaker 2: the network because he thought this was a piece of
Speaker 2: crap and thank god they were here to save the network.
Speaker 2: And so another long story anyway, So for the twenty
Speaker 2: fifth anniversary of my film, the McPherson Tape, I talked
Speaker 2: to Alejandro Rojas and he says, Hey, you should come
Speaker 2: and do a speaking engagement here, like a seventy five
Speaker 2: minute ted talk if you will, about this filmnie and
Speaker 2: you as a filmmaker and all the conspiracy theories and
Speaker 2: there's a crapload of them on the film and me.
Speaker 2: And so at first I refuse because I'm kind of like, yeah,
Speaker 2: I don't think that they're going to dig me, because
Speaker 2: I think they maybe take this too serious. And I'm
Speaker 2: as smart ass as you can tell. And he said, no, no, no,
Speaker 2: They've got a great sense of humor. The community is awesome.
Speaker 2: I'm like, go all right. So I go out there
Speaker 2: Scott Steel, Arizona, and everything he said was correct. These
Speaker 2: were the funnest group of people, like minded nerds like me,
Speaker 2: all just completely swimming in the phenomenon. And again, a
Speaker 2: lot of experiences there, and a lot of people who
Speaker 2: really want to have that experience and are there as
Speaker 2: kind of investigative journalists, if you will. And so I
Speaker 2: start meeting people out of Montana Tech like professor Michael
Speaker 2: Masters and Yeah, and other people who are who are
Speaker 2: working the space, who are highly accredited academia, And I'm going, okay,
Speaker 2: I think there's a documentary here, and I've done documentaries
Speaker 2: for TV and cable and stuff, and so I thought, well,
Speaker 2: what if I take what I've learned and do it,
Speaker 2: Because at the time, most of the UFO documentaries looked
Speaker 2: like it was some guy who grabbed their iPhone and
Speaker 2: cornered their favorite UFO guru while they're waiting for the
Speaker 2: elevator and quickly interviewed them and then cut in some
Speaker 2: stock footage and that was it except for James Fox,
Speaker 2: who was doing them you know, nicer stuff. And there
Speaker 2: are a few other Yeah and and Acknowledge, and there
Speaker 2: are a few other filmmakers that were doing some really great,
Speaker 2: great things, but most of it was that. And I thought, okay, well,
Speaker 2: I really want to have this be a science doc
Speaker 2: and I want to have the production value and everything
Speaker 2: feel like you're just watching a science dock. And this
Speaker 2: isn't a braggadosha thing, it's I want to be able
Speaker 2: to get people who haven't spent time in the UFO
Speaker 2: rabbit hole, if you will and show them no, no, no,
Speaker 2: there's something to this, and so there's a certain format
Speaker 2: and stuff that you would bide by in order to
Speaker 2: do that. And so that set me off on my
Speaker 2: journey that I thought, oh, I'll be done in nine months,
Speaker 2: fifteen interviews, and then that's it. And then I you know,
Speaker 2: I'll I'll do that, and then I'll go yeah, then
Speaker 2: I'll go back, I'll hang it up. Then I'll go
Speaker 2: back to doing you know, scripted sci fi stuff whatever.
Speaker 2: So that's not how the phenomenon works at all. It
Speaker 2: laughs at you when you declare anything. And and here
Speaker 2: I am eight years later, about to enter my ninth year,
Speaker 2: and I've done four interviews, and like you said, you know,
Speaker 2: it's sixty eight interviews. I think Diana Diane oh what
Speaker 2: is her name? She she hosts the second one, Life
Speaker 2: Beyond Earth, the one that that came out recently. No Hennessy,
Speaker 2: Diane Hennessy with the television. She was the last interview
Speaker 2: I did. And so I've got these, yeah, these four documentaries,
Speaker 2: five countries, and and you know, I was talking to
Speaker 2: Yvonne Smith, who's a great hypnotherapist who works with experiencers.
Speaker 2: Ah yeah, and she and I said to her one time,
Speaker 2: I just I got so burnt and so fed up,
Speaker 2: because you know, these things cost a lot, and it's
Speaker 2: like it's a very expensive hobby and already filmmaking is
Speaker 2: the most expensive art form in the history of mankind.
Speaker 2: And so I'm you know, gambling, throwing down hard. But
Speaker 2: I just really believe in this, And I say to her,
Speaker 2: I go one time after we were filming, I said,
Speaker 2: I don't understand what the hell's going on. I'm not
Speaker 2: an experiencer. So I've come through my past. I have
Speaker 2: no missing time, nothing anominalous. And she looks at me
Speaker 2: like I'm an idiot, which is probably true, and she says, Dean,
Speaker 2: they don't need to knock on your door to get
Speaker 2: to you, which I found both interesting and frightening. And
Speaker 2: so she's like, you know, basically, the idea there is
Speaker 2: that you know, a lot of people become agents of this.
Speaker 2: You know, the muse comes, and sometimes the muse is
Speaker 2: a creative muse, and sometimes maybe they're from another planet
Speaker 2: to mention or the future. So I'm still trying to
Speaker 2: figure out that one. But it completely changed the way
Speaker 2: that I make movies because the documentaries. When I started out,
Speaker 2: what you do as a filmmaker when you're trying or
Speaker 2: a storyteller, you're trying to tell a story that has
Speaker 2: been told beforehand to some extent. To some extent, every
Speaker 2: story is different. You look at what everyone's doing and
Speaker 2: then you run the other way. So all the other
Speaker 2: documentaries were all from the human's perspective, and I'm like, okay,
Speaker 2: hold on, what if we look at it from their perspective?
Speaker 2: Flip it? And so that's where the idea of the
Speaker 2: alien perspective came from. And then that that was my compass.
Speaker 1: So I love it and I like what she I
Speaker 1: like what Yvonne said that they don't have to knock.
Speaker 1: They don't always have to knock on your door. And
Speaker 1: in this topic specifically, it seems like once it gets
Speaker 1: a hold of you, or you get a hold of it,
Speaker 1: you know, whatever whatever form that takes.
Speaker 2: You know.
Speaker 1: I've I've interviewed many people and many of them are
Speaker 1: at least a handful of them were like, I just
Speaker 1: want to do this interview. I want to come out,
Speaker 1: I want to tell my story and I want to
Speaker 1: move on. And I tell them every single time you
Speaker 1: may want that now. But I can promise you, if
Speaker 1: the phenomenon wants you around, you're gonna be around and
Speaker 1: you're never gonna get away from it. It's God, This
Speaker 1: this topic has a way of pulling you in and
Speaker 1: never letting you go. And it's the only thing I've
Speaker 1: ever seen do that. Because I did work in Hollywood,
Speaker 1: I did all that. I did that stuff, and that's
Speaker 1: what I thought I wanted to do. Is what I again,
Speaker 1: like you from the first time I ever saw a
Speaker 1: film and the way it elicited that, it elicited emotions
Speaker 1: that I had never even felt before, and something how
Speaker 1: to do something on the silver screen? Do that to me?
Speaker 1: You know, I had a rote quote unquote rough childhood,
Speaker 1: not in the way of like like uh being a
Speaker 1: bubi and not like that. But we didn't have money.
Speaker 1: You know, my dad was in jail. My mom was
Speaker 1: raising four kids on her own. You know, it just
Speaker 1: we didn't have But but so I was very shut
Speaker 1: off as a person. I didn't let to There was
Speaker 1: few people in my life that knew the whole story
Speaker 1: because I wouldn't let people get close enough to see anything.
Speaker 1: And I forget where I'm even going with. Oh, uh yeah,
Speaker 1: So the way a film was able to elicit those
Speaker 1: kind of emotions for me, the first movie I saw,
Speaker 1: I was like, that's what I want to do. I
Speaker 1: want to be able to do that to other people.
Speaker 1: And then I chased that dream and it turns out
Speaker 1: it wasn't for you, specifically the Hollywood version of it,
Speaker 1: but this version of it, it took me a little
Speaker 1: bit longer to find. And I have my own I
Speaker 1: had my own experiences, which you know, I had a
Speaker 1: sighting when I was younger, and then when I when
Speaker 1: my mom passed away, I was in the room and
Speaker 1: I saw something in the room as she passed, and
Speaker 1: it was at that moment it was like her pushing
Speaker 1: me right back. It was because she's involved with both
Speaker 1: of the experiences I had. If she didn't ask me
Speaker 1: to stay home from school at twelve years old, I
Speaker 1: wouldn't have saw the craft, the nuts and bolts craft
Speaker 1: that inspired me to see the world that isn't because
Speaker 1: she she didn't like. I ran in the house and
Speaker 1: I was like, my b I just saw and she
Speaker 1: was like, just chill, like you saw a UFO. She
Speaker 1: didn't say. I was like, she didn't say, I was crazy.
Speaker 1: She didn't say I saw God or an angel. She
Speaker 1: didn't try to force any view upon me. She just said,
Speaker 1: you saw something you don't understand. And then she took
Speaker 1: me to the library every single day for two weeks.
Speaker 1: And it's funny how you said like communion, because I
Speaker 1: had that same experience just at a very much later time,
Speaker 1: twenty years ago. And yeah, it was off to the races.
Speaker 1: But when she passed away, I saw like this orbit
Speaker 1: in the room and she was it went out the window,
Speaker 1: and then I looked back and she was gone, and
Speaker 1: it was like her last nudge of hey, you're almost there,
Speaker 1: you're on the right track, but boom, here's one last push.
Speaker 1: And then total disclosure was born and I haven't stopped since.
Speaker 1: So I think I think fate, whether you want to
Speaker 1: call it fate or destiny or you know, the muse
Speaker 1: or you're calling I think we're all in the right place,
Speaker 1: you know, at the right time.
Speaker 2: Yeah.
Speaker 1: Yeah.
Speaker 2: And by the way, I think your title change from
Speaker 2: your original which is like totally disclosure. I think total
Speaker 2: disclosure is much better. So you definitely are in the
Speaker 2: right place.
Speaker 1: My friend like totally disclosure, dude, But.
Speaker 2: Yeah, it is it is, dude, I have a script
Speaker 2: about this, this young guy who gets abducted and he
Speaker 2: describes it as alien st D where you get infected
Speaker 2: with it and sometimes you infect others because there are
Speaker 2: stories of you know, people who around people who all
Speaker 2: of a sudden, especially if it's a loved one, spouse,
Speaker 2: et cetera, that it doesn't always stick with you know,
Speaker 2: patient zero. Yeah, yeah, yeah. But it's interesting that you
Speaker 2: saw the ORB, which you know Chris Bledsoe is, you know,
Speaker 2: that's his thing. He's the Orb doctor Orb. He needs
Speaker 2: a he needs a handle. Other people got handles, you know.
Speaker 2: I've got mister disclosure and the people are fighting over that.
Speaker 2: I think Bassett might be the first one and then
Speaker 2: you got Greer. But anyway, I have a theory which
Speaker 2: is that. And I don't think that I came up
Speaker 2: with this, but early on in my research, you know,
Speaker 2: eight years ago on this, when I would hear that
Speaker 2: there would be loved ones next to Kraft, I thought, well,
Speaker 2: that's weird, because does that mean that the UFOs are
Speaker 2: traveling in the astral plane? And because people will say
Speaker 2: they've seen ghosts that look as real as you and
Speaker 2: I like, right there, they will swear that they could
Speaker 2: go up and touch it. And so if UFOs have
Speaker 2: figured out how to do that, and these you know,
Speaker 2: non human n hi's intelligence have figured that out, then
Speaker 2: it would make sense that you would see loved ones
Speaker 2: there sometimes. But yeah, with regards to the urban stuff,
Speaker 2: you know, I mean before I went hardcore into the
Speaker 2: UFO world, I was very spiritual still am. And I
Speaker 2: would read books, you know, the Tibetan Book of Living
Speaker 2: and Dying and and yeah, and I would really like
Speaker 2: the holographic universe and all this stuff, and Seth speaks
Speaker 2: all into that, and I find so much crossover between
Speaker 2: the two, and like reincarnation and everything, and and I
Speaker 2: you know, from what I've gathered, you know, these orbs
Speaker 2: could be a soul, and so each of us, you know,
Speaker 2: we have a soul. And when we die, because the
Speaker 2: physical manner, energy doesn't die. We know that that's been
Speaker 2: luckily proven, and so what happens with it, well, the
Speaker 2: body drops, and then you know, your your spirit continues.
Speaker 2: And you know, there's a term called a xenoglossy, which
Speaker 2: is when kids can speak into their language when they're born.
Speaker 2: They're in Michigan and they can speak French or they
Speaker 2: can speak Chin Chinese. Yeah, they can play the piano.
Speaker 2: How many times have you hear about these little prodigies
Speaker 2: who go up and are playing the piano. So that
Speaker 2: is a term zeno glossy and and so that to
Speaker 2: me is residual from a past life. Right, you know,
Speaker 2: like the James Leidecker story, you know this, yeah, right,
Speaker 2: and he was shot.
Speaker 1: Down and he and they found like the the right
Speaker 1: is that that story?
Speaker 2: Yeah, the parents were able to track down who this
Speaker 2: kid said he was and then actually bring him to
Speaker 2: a reunion where all of the World War two, you know,
Speaker 2: pilot buddies and stuff got together and by the end
Speaker 2: of it they were calling him by his nickname and
Speaker 2: he knew all their nicknames without having you know.
Speaker 1: Fucking crazy. That's a what like And that's you know,
Speaker 1: I think because we are so attuned to this life,
Speaker 1: this this reality that you know, we that we form
Speaker 1: around us and you know, whether our parents have something
Speaker 1: to do with it, but you know, we're born in
Speaker 1: and then we're up thinking the world is black and white. Right,
Speaker 1: It's it's either yes, no, it's a one or zero
Speaker 1: it's alive, or it's that it's not until later on
Speaker 1: in life that you realize how much gray there really is.
Speaker 1: And once you start seeing the gray, I think that's
Speaker 1: it's ironic, right, once you start seeing the gray, once
Speaker 1: you start seeing that gray, I think then that is
Speaker 1: that is once you realize we don't know everything and
Speaker 1: there's such it's it brings a little bit more magic
Speaker 1: back to your life, you know. Uh, And that's it's
Speaker 1: it's a driving force for a lot of people.
Speaker 2: Yeah. Agree. I spoke at Phenomicon not too long ago,
Speaker 2: and yeah, and I do have to say I met
Speaker 2: Jay Stratton and I wish i'd heard this thing that
Speaker 2: he just that he said an age of disclosure because
Speaker 2: I hadn't seen it yet, which is that the government
Speaker 2: has funded movies on UFOs is emphatically wrong. I don't
Speaker 2: know where he's getting that that information that intel if
Speaker 2: you will, but it is one wrong and I don't
Speaker 2: mean it.
Speaker 1: Can you can you run that back?
Speaker 2: What?
Speaker 1: What? What did he say?
Speaker 2: He said that that the government has funded before UFO
Speaker 2: projects like Hollywood, Hollywood films, because I believe what he
Speaker 2: said Hollywood films. And I'm not doing this to call
Speaker 2: him out or anything. He's a nice guy. I got
Speaker 2: along with him. Well, but he's being told this from
Speaker 2: people who are full of shit. There is not one
Speaker 2: film that is out there that has ever been funded.
Speaker 2: Spielberg has never had his films funded. I know, Escape
Speaker 2: from Which Mountain. They said that they worked with the
Speaker 2: government and someone came on and gave them pointers and stuff,
Speaker 2: But they don't fund movies. Believe me, we would be
Speaker 2: in line there with their hands out of my long
Speaker 2: to get funding. I wish that was the case. We
Speaker 2: don't need to do that. The public is already interested
Speaker 2: in that. Studio is already open to financing some of these,
Speaker 2: and and independent filmmakers will, you know, make films regardless.
Speaker 2: But anyway, it's really something that that you you get
Speaker 2: into and then you you find that because a lot
Speaker 2: of people like you're saying, well, it's like you say, oh,
Speaker 2: I'm just going to go and I'm done and I'm
Speaker 2: just going to say my piece and I'm gonna get
Speaker 2: out of the UFO thing. Yeah, there's the adverse of that,
Speaker 2: inverse of that, which is you have people who they
Speaker 2: have something to say, but they don't want to go.
Speaker 2: They want more of that fifteen minutes of fame, and
Speaker 2: so then it becomes idle. Yeah, then it can cross
Speaker 2: over into what I call UFO carpetbagging, which is, you know,
Speaker 2: where you're saying things to keep it alive and everything,
Speaker 2: and so like the dates, when you're giving dates, I'm
Speaker 2: being told, you know, twenty twenty seven, I'm that. And
Speaker 2: I was on a panel at Contact in the Desert,
Speaker 2: and I won't say who said that, but I just
Speaker 2: kind of bemoaned and said, you know, if I bet
Speaker 2: on every single date that was supposed to happen, where
Speaker 2: we were going to have full disclosure, like totally disclosure, Yeah,
Speaker 2: I could fund all my films based on all the
Speaker 2: money would make from those bets. It's it's a bigger thing.
Speaker 2: So when I was speaking at the Phenomenon Phenomicon, I said, guys,
Speaker 2: let's kind of let's just step back and look at
Speaker 2: where we're at. And where we're at right now is
Speaker 2: that we're not very far advanced. And that's a problem
Speaker 2: because there's two types of advancements that any civilization has,
Speaker 2: and we keep forgetting to factor the second one. The
Speaker 2: first one is technology, which is the flashy, look what
Speaker 2: we can do. The second is mature advancement maturity as
Speaker 2: a civilization, and we are not mature enough to be
Speaker 2: part of any kind of, if you will, for lack
Speaker 2: of a better word, galactic federation. In fact, I don't
Speaker 2: think the bouncer even lets a stand in line at
Speaker 2: the Galactic Federation club.
Speaker 1: Yeah me either.
Speaker 2: Yeah. So it's kind of like we are best represented
Speaker 2: as a little kitten who's running down the hallway and
Speaker 2: its hind legs or running ahead of it trip. That's
Speaker 2: humans right now. You know, when you look from eighteen
Speaker 2: sixty nine where we were torches and you know, lamps
Speaker 2: that you would turn on but you needed light and
Speaker 2: horse and buggy, And then you go to nineteen sixty
Speaker 2: nine and we're on the moon, that's a pretty big advancement.
Speaker 2: But then and we can do great things. And the
Speaker 2: reason why that advancement happened, which was off the charts,
Speaker 2: was because there was an existential threat from another nation.
Speaker 2: So our motivations for things are all jacked up, dude,
Speaker 2: if we wanted to, like, here's the thing. Carl Sagan,
Speaker 2: Carl Sagan, brilliant astronomer. He helped design Voyager and what
Speaker 2: was going to be on that yep, on that you
Speaker 2: know satellite the Golden Record.
Speaker 1: I think it's a record, Yeah, the record, Sorry, yeah.
Speaker 2: That has you know, thank god, it's got a Beatles
Speaker 2: song on there, Chuck Berry and hold bunch of other things.
Speaker 2: But it's a basically hello and a zillion different languages.
Speaker 2: He said, you know, the Cold War started right after
Speaker 2: World War Two and it went well into the eighties
Speaker 2: nineties and then tapered off and they spent well over
Speaker 2: a trillion dollars and they said, look, ultimately that was
Speaker 2: not a good spend, and everyone's agreed on that. But
Speaker 2: we know that the environment is fucked. We know that
Speaker 2: the things that we've done to it are they have
Speaker 2: a chain reaction that's been going on forever. And people
Speaker 2: talk about I'm not going to get into all the
Speaker 2: details of it, and please don't politicize this. You can
Speaker 2: actually see it, and I talk to people. I've shot
Speaker 2: in thirty three states and I've talked to people and
Speaker 2: they're dealing with this. Fishermen, et cetera. The rainforests. You think, oh,
Speaker 2: that's where all the oxygen comes from, a smaller percentage
Speaker 2: comes from that. The bigger percentage comes from coral. We
Speaker 2: are coral in the sea, and we're just trashing the
Speaker 2: hell out of that because we're doing mass fishing and
Speaker 2: stuff like that. If we took that trillion dollars that
Speaker 2: we spent on the Cold War and we put into
Speaker 2: technologies to help us, we could have our cake and
Speaker 2: eat it too, no problem. But we don't do that.
Speaker 2: And so I remember being at Shag Harbor and I
Speaker 2: kept hearing what they want, disclosure, what they want, blah
Speaker 2: blah blah, And I said, okay, hold on, guys, what
Speaker 2: is disclosure? Explain to me what you want. And one
Speaker 2: of the things was we want technology. And I go, okay,
Speaker 2: let's let's unpack that you get technology. Let's look at
Speaker 2: the two biggest technologies that people want. Number one is
Speaker 2: they want they want gravity, be able to control gravity
Speaker 2: because in our planes can weigh as much as a
Speaker 2: car and we can have them flying back and forth.
Speaker 2: And I go, that's that's cool. I'm with you there. However,
Speaker 2: we weaponize literally everything, everything, and if you go to
Speaker 2: get a patent on something that could be weaponized as
Speaker 2: well as advances, DoD Department of Energy comes in and says,
Speaker 2: uh uh.
Speaker 1: Slap the national security tag on it.
Speaker 2: Boom over right. The problem with anti gravity is people
Speaker 2: are going to use it to bounce certain people off
Speaker 2: the planet and maybe certain nations and be able to
Speaker 2: say we can elevate them or levitate them and can
Speaker 2: them off the planet. That's not good. The other is
Speaker 2: the environment and cleaning up. And so I'm a parent,
Speaker 2: and so the idea of aliens coming in and saying
Speaker 2: all right, all right, step away, step aside, give us
Speaker 2: some room, cleaning up the room, and then leaving is
Speaker 2: antithetical to our evolution. We have to figure out these things.
Speaker 2: We have to be allowed to grow. There's no shortcuts
Speaker 2: in life. And as soon as we jack you know,
Speaker 2: we get everything cleaned up, we're going to jack it
Speaker 2: up again. That's how we are. So until we get
Speaker 2: to a place I believe where we're able to treat
Speaker 2: people mutually and see if someone's hurting, that means that
Speaker 2: we're hurting, you know, the weakest link or the chain
Speaker 2: type of thing, we're not going to get there. And
Speaker 2: so we're going to get little clues and stuff.
Speaker 1: You know.
Speaker 2: I always say that, you know, right now, it's like
Speaker 2: we're able to get to the precipice of a freeway
Speaker 2: and we're able to see all the cars of the
Speaker 2: future race by, and those are the UFOs that we see.
Speaker 2: But may be a better analogy is that we are
Speaker 2: getting teasers, not even a full trailer to what's to
Speaker 2: come when we do see craft and when we do
Speaker 2: have you know, experiences with the beans, and there's certain
Speaker 2: amount of people that can have. This is the frustrating
Speaker 2: thing is when I go to UFO conventions and meet
Speaker 2: all the people there, I firmly believe that everyone here
Speaker 2: could handle whatever would be brought and they would be
Speaker 2: cool with it, and they would handle it responsibly. But
Speaker 2: that's not the one percent that controls the world and
Speaker 2: controls everything with regards to what gets parsed out and everything.
Speaker 2: And so until we get to that place where we
Speaker 2: have proper people, you know, who are in positions of power,
Speaker 2: who are basically you know, benign and looking out for
Speaker 2: everyone's good, we're going to be a nation that isn't
Speaker 2: you know, a people that isn't you know ready yet.
Speaker 2: But we're going to get there. I mean, that's the
Speaker 2: good news I believe, is that we're going to get
Speaker 2: to the finish line.
Speaker 1: Yeah.
Speaker 2: But but I'm I'm I know that there's right now,
Speaker 2: rumblings of another congressional hearing that's going to be happening,
Speaker 2: and unfortunately he's having I forgot who who one of
Speaker 2: the many congress persons is doing this. I forgot his name.
Speaker 2: Maybe yeah, and so, but they're having trouble with whistleblowers
Speaker 2: because right because of the way that you know, they
Speaker 2: said one thing and then the government's doing another thing.
Speaker 2: And so anyway, my point, if I have a point here,
Speaker 2: is just to say that, you know, we've got to
Speaker 2: be patients patient as a species, and we have to
Speaker 2: work on ourselves before. You know. It's like it's like
Speaker 2: when you're going out. So I was married for a
Speaker 2: long time, a long time, and and now I'm on
Speaker 2: you know, I was on dating apps and everything. In fact,
Speaker 2: I met my current girlfriend on Tinder.
Speaker 1: That's how you do it now, that's.
Speaker 2: How you do it. It works, and and so and
Speaker 2: Tinder isn't the you know, the hookup thing. It's just
Speaker 2: like all of them, So don't get all excited and everything.
Speaker 1: You know, Yeah, no, no, it's it's it's ridiculous, but
Speaker 1: it is the way that that people meet now. And
Speaker 1: is is it superficial at first? Yeah, you're basing you
Speaker 1: know it on looks and you know a couple of sentences.
Speaker 1: But the point is to get that's to get past that.
Speaker 1: That's also if you're at a bar, that's how you
Speaker 1: judge a person you're going to go flirt with.
Speaker 2: Yeah, it's it's the judging the book by its cover.
Speaker 1: Yeah, you're swiping left and right in the bar, just
Speaker 1: in your brain, right, yeah.
Speaker 2: Yeah. And so my point is that I needed to
Speaker 2: work on myself, Yeah, because a lot has changed since
Speaker 2: when I was with this person and after and I
Speaker 2: found these issues that were coming up. I didn't know
Speaker 2: how to be with myself, you know, you you know,
Speaker 2: it becomes this this thing that you can't help but
Speaker 2: have like codependent issues that you go, oh, wait a second,
Speaker 2: I need to do this. So, you know, I spent
Speaker 2: you know, three years you know, being single and and everything,
Speaker 2: and and so I was ready when it was time
Speaker 2: to be back out there and everything and found someone
Speaker 2: who I'm extremely happy with, and so it was Yeah,
Speaker 2: but I had to go through that. There's no shortcuts.
Speaker 2: And so it's the rub again is that there's a
Speaker 2: bunch of us that are out here more than I
Speaker 2: think that that we get credit for who can handle
Speaker 2: the truth and and we'ld be able to handle it,
Speaker 2: you know. And these experiences, whether they're like John Max
Speaker 2: says that they have a dual alien identity, which is
Speaker 2: that they're reincarnated from a planet or dimension wherever these
Speaker 2: beings come from, and they're being abducted because they agreed
Speaker 2: to this, right, Yeah, And the clues are really interesting
Speaker 2: because the Beans have said time and time again, we
Speaker 2: have every right to do this.
Speaker 1: Yeah.
Speaker 2: Well, either you made us, you created us, because that
Speaker 2: would give you the right, or we agreed to this
Speaker 2: either one, either.
Speaker 1: One, yeah, And I find that to be very interesting.
Speaker 1: John mac is a you know, I'm in Boston, so Harvard,
Speaker 1: and I've had Avi Lobin here and I mean, you
Speaker 1: name it anyone in this area that's someone. But John
Speaker 1: is obviously someone I've researched a lot into. And I
Speaker 1: like what so for for either of those scenarios, whether
Speaker 1: whether there is some sort of soul contract that we
Speaker 1: sign and then yeah, they do have the right to
Speaker 1: to take us if you will, or the other hand
Speaker 1: is they are the creator and like you said, you know,
Speaker 1: inherently you just kind of give them the right to
Speaker 1: play with their creation.
Speaker 2: I'm gonna pause you right there, not because I'm gonna
Speaker 2: use the restroom. There have been a lot of talk
Speaker 2: about the Ononachy. Yes, thank you, Okay, so they yeah,
Speaker 2: the Onanachy guys was created. I think was it?
Speaker 1: Was it?
Speaker 2: Sitchen or Yeah?
Speaker 1: Well, zach Ryichen.
Speaker 2: H yeah, and and he a yeah. He has mentioned
Speaker 2: candidly about it that he was basically taking from mythology
Speaker 2: that was every bit as credible as Apollo, Poseidon, Hades, Hercules.
Speaker 2: I mean, all of it was was it was a mythology.
Speaker 2: Here's the thing. If you come here and you create people,
Speaker 2: that's a shitty job. Right, You're not done. We're half baked.
Speaker 2: You couldn't maybetically we breed dogs and cats, dude, why
Speaker 2: can't we breed out greed and corruption from and insecurity?
Speaker 2: That'd be great from humans. So I'm kind of like,
Speaker 2: come on, that's I'm not vague. I'm not buying that.
Speaker 2: And so my feeling is that that they did.
Speaker 1: Yeah, so you're not buying you don't think. Okay, let
Speaker 1: me hit you with something real quick if you and
Speaker 1: I'm not saying I don't believe in evolution, I'm not crazy, right,
Speaker 1: I clearly evolution is a thing and we see it.
Speaker 1: And but don't you think it's a little odd that
Speaker 1: like we shed our pelts or we I mean, we
Speaker 1: shed our fur and we stood upright, only to have
Speaker 1: back problems to need pelts in the winter. The sun
Speaker 1: earns us. Our biological clock is more tuned to Mars's
Speaker 1: schedule than it is to Earth's schedule. And we seem
Speaker 1: like we don't fit into the overall ecosystem of the
Speaker 1: Earth like say a bee does. A bee has many
Speaker 1: many a bee, you know, it takes the pollen it
Speaker 1: and the pollinates the flower. It takes this and pollinates
Speaker 1: the flowers. Wait, all it seems all we do is
Speaker 1: like if we stopped creating the iPhone, if we if
Speaker 1: we just paused everything and decided, all right, technologically we're
Speaker 1: pretty good. Stop here and and we'll just do maintenance
Speaker 1: and keep what We'll just keep making the iPhone seventeen.
Speaker 1: But no, we can't do that. We need the next
Speaker 1: best thing. It's it's that that constant drive to keep creating.
Speaker 1: We take more than we give to the earth. So
Speaker 1: like part of the Adanaki story that that resonates with
Speaker 1: me is that idea that we were bred for one
Speaker 1: thing and I don't know again.
Speaker 2: For one thing? What is that? What is that one thing?
Speaker 1: Well, if you're going to go by the story, it's
Speaker 1: to slave mind gold to give back to them so
Speaker 1: that they can repair the atmosphere. Do I mean is
Speaker 1: that true? I don't know. Probably not, but it does
Speaker 1: seem like we are a one track mind kind of species.
Speaker 2: Okay, so we're a type O point seven species. We're
Speaker 2: not even a type one species. There's three that have
Speaker 2: been Again this is this is created by a Russian
Speaker 2: who had this whole breakdown, and you can look at
Speaker 2: our online I Want Boy with all the details of it,
Speaker 2: and there's a belief that there's a fourth and fifth.
Speaker 2: So we're not capable of any of this stuff. If
Speaker 2: there is a species out there that can literally come
Speaker 2: to a planet and it can seede humans, they can't
Speaker 2: work this other shit out. Doesn't make sense. It's like
Speaker 2: dropping the ball, like you know what, I worked on
Speaker 2: it for a little bit. I'm done. I'm gonna go
Speaker 2: off and do something else that is more important. So
Speaker 2: here's the thing. The reason why we don't have pelts
Speaker 2: and everything is that evolution we get smarter, and how
Speaker 2: do you how does anyone get smarter? Curiosity and necessity,
Speaker 2: But it's the same thing, curiosity, Oh what if you
Speaker 2: did this? What if this? What if that? And that's
Speaker 2: something that we share with these beans. Professor Mitchell Koku
Speaker 2: and Life Beyond Earth, the newer doc says, I think
Speaker 2: that they would look at us aliens as being ants.
Speaker 2: And then you cut to I've got in my interview
Speaker 2: with Dave Foley actor euthologists. Yeah, Dave goes, Yeah, it's
Speaker 2: called entomologist, and we have them, and so they would
Speaker 2: be interested. So curiosity is what propels us. So here
Speaker 2: we are, we're going along and we can trace pretty
Speaker 2: much where we you know, go, and we start to
Speaker 2: make our leaps and shape and reshape and everything. And
Speaker 2: Michael Masters can articulate this much better than I. But
Speaker 2: then we we discover fire several times, by the way,
Speaker 2: we just don't discover it once. And then someone says, hey, dude,
Speaker 2: check out what these guys are doing this village. It's crazy.
Speaker 2: We we see it like lightning hits. And then we
Speaker 2: go hey, and we rub rub two things together, and
Speaker 2: you know what's that moment like when they first rub
Speaker 2: things together. Why are they rubbing things together? That's a
Speaker 2: whole other.
Speaker 1: The spark literally.
Speaker 2: The spark of genius. And so we're now we don't
Speaker 2: have to chew our food raw meat anymore, and so
Speaker 2: we're now able to cook things. So what that does
Speaker 2: is it alleviates the space that we need for a
Speaker 2: real strong jaw line or jawbone and everything. And then
Speaker 2: it starts to open up our skulls, which allow our
Speaker 2: brains to get bigger and bigger. And then as we're
Speaker 2: going along and we're able to fend off for ourselves,
Speaker 2: we're a little bit smarter. We start to walk more
Speaker 2: and more upright as well, and we were starting to
Speaker 2: do that already before fire. And so it's this gradual
Speaker 2: thing where we're able to take away things that we
Speaker 2: needed to compensate, like to have pelts because we couldn't
Speaker 2: keep warm. All that goes away and so we don't
Speaker 2: need that anymore. So the necessity of it goes away.
Speaker 2: And the way that evolution works is it provides for you, right,
Speaker 2: So that's the argument for that, which is why I
Speaker 2: think at the end of the day, you know, trying
Speaker 2: because I when I started out doing these documentaries. I
Speaker 2: was like, there from another planet. That makes sense. Then
Speaker 2: I love Jacques Valat's book Dimension, so I'm like, oh,
Speaker 2: they're f another dimension. And then you know, you look
Speaker 2: at alternate universes, this and that, and then I kind
Speaker 2: of settled on again the extra tempstrial theory Master's theory,
Speaker 2: which isn't his alone, but he's He's refined.
Speaker 1: It popularized it for me.
Speaker 2: That's where I if I if someone put a gun
Speaker 2: to my head, if an alien put a ray gun
Speaker 2: to my head and said, hey, you guys.
Speaker 1: Get from future, because I and I and this is
Speaker 1: something I'm really really interested in, is because if we
Speaker 1: look at where where a tragedy and tragedy when I
Speaker 1: say tragedy, I mean like apocalypse level, where would that
Speaker 1: Where would that likely be? And it would be our
Speaker 1: nuclear facilities, like the the That's that's if I, if
Speaker 1: I was a betting man, I would put money that
Speaker 1: the end of our world or the end that what
Speaker 1: would cause the end of the world ground zero would
Speaker 1: be some sort of nuclear facility. And it seems that
Speaker 1: these things have a very high interest in our nuclear
Speaker 1: capabilities now, whether it's shutting weapons off like at Mie
Speaker 1: not and Malmstrom and other places, or turning them on
Speaker 1: and let the modern day Ukraine, former Soviet Union and
Speaker 1: just other places. They clearly are interacting. So does something
Speaker 1: happen in our future they're past that they are now
Speaker 1: trying to fix, whether it's a genetic issue or you know,
Speaker 1: something else. Entirely, it seems very very plausible and likely.
Speaker 1: And that's why you'd have arrow right this organization using
Speaker 1: very specific language. We don't have proof for extra terrestrial
Speaker 1: visitation of this earth. Well, why are you using that word?
Speaker 1: No one said to use that word. No, what the
Speaker 1: U stands for unidentified? Why are you limiting it to
Speaker 1: one thing? Well? I think that's because and I've had
Speaker 1: Tim Phillips on and I tried to grill him on
Speaker 1: this and he just wouldn't answer. That wording is.
Speaker 2: Very shoots to the nails. Ye feel like a pig.
Speaker 2: Next time you threatened to shove that.
Speaker 1: Up there, he might be the one doing it to
Speaker 1: me with that guy. Yeah, yeah, guys, Jesus, but you
Speaker 1: know so, so I do. I I've always I've wanted
Speaker 1: to talk to Mike for Michael for a long time.
Speaker 1: He's one of the people that's on my list, and
Speaker 1: of course you know you were on that list as well.
Speaker 1: And uh, as long as I'm in the right place
Speaker 1: at the right time, it will have sphabetical.
Speaker 2: Right alphabetical, youbic alphabetical.
Speaker 1: I actually started with I'm just kidding. I won't go
Speaker 1: that way. Uh, but so is that so gunder your head?
Speaker 1: You think the most likely case is time travel GETS
Speaker 1: is created in the future, whether it's by accident or
Speaker 1: it's a subsequent feature of this propulsion system, and they're
Speaker 1: back here and they're trying to potentially monitor, fix or change.
Speaker 1: They're past our future.
Speaker 2: I'm so glad you asked me that, ty, because I
Speaker 2: have all the answers, and glad you do. I'll have
Speaker 2: a GoFundMe that'll be up there. Send me money everything
Speaker 2: you have or you don't have.
Speaker 1: If you have the secret sauce and a PayPal link run.
Speaker 2: Yes, all right? So what are the two things that
Speaker 2: the aliens say the messaging? Two messages that they say
Speaker 2: over and over.
Speaker 1: Get rid of our nukes, treat the planet better.
Speaker 2: No, oh close, you're you're fifty for fifty. Okay, your
Speaker 2: technology isn't helping you, not your nukes. They never say nukes.
Speaker 2: That would be funny if they said nukes instead of
Speaker 2: saying nuclear. Yeah, nukes, Yeah those nukes, man, those aren't cool. Dude,
Speaker 2: you got to get rid of your technology isn't helping you.
Speaker 2: So I don't know that that is a reference to
Speaker 2: nuclear I think it's a reference to these I think
Speaker 2: it's a reference to our smartphones or technology that we're doing.
Speaker 2: This poses a bigger threat, much bigger threat than any
Speaker 2: nuclear weapon. And stop in a nuclear weapon. You can
Speaker 2: stop a nuclear weapon. We have deterrens to do that
Speaker 2: to a degree, and with their power, I'm sure they
Speaker 2: could easily do that, but we cannot stop the addiction
Speaker 2: that the smartphone is. And so if you show up
Speaker 2: and it's interesting that they're doing this now and they
Speaker 2: did it at Aerial.
Speaker 1: School, Aura, the case is that's a perfect example.
Speaker 2: Continue, yeah, your technology isn't helping you. And if they
Speaker 2: showed up with the same message in say the seventeen hundreds,
Speaker 2: you know, we would be going, as humans would be going,
Speaker 2: what the printing press? That's not good, that's not helping us.
Speaker 2: So it's interesting that they're talking about that during our
Speaker 2: time and in like a full decade before the smartphone
Speaker 2: comes along, which is two thousand and eight, I believe,
Speaker 2: and so that to me is the bigger threat. We
Speaker 2: are literally slowing down in the creation of humans. There's
Speaker 2: a big problem with that in an Asia, very big
Speaker 2: problem as well. In fact, there's belief that China is
Speaker 2: reducing at an alarming rate and that they don't have
Speaker 2: the billions that everyone thought that they you know, that
Speaker 2: they did in population, and so it's making it more
Speaker 2: difficult and so humans react. We're very kind of simple.
Speaker 2: We're a little bit like still like lab rats, and
Speaker 2: so we work off of impulses and dopamine hits. And
Speaker 2: if you can get all of that in the palm
Speaker 2: of your hand, are through goggles, then what are you
Speaker 2: going to be? What is the motivator to be meeting
Speaker 2: someone and having these real life experiences that have their
Speaker 2: own dopamine hits that's going to be going away. That
Speaker 2: to me is the scariest thing ahead of everything before
Speaker 2: we get into the the are they from the future?
Speaker 1: Right? And you're right like, so it's you know, it's
Speaker 1: kind of crazy to me. You know, I'll live in
Speaker 1: I live in a city of course, Boston, and you know,
Speaker 1: I was talking to this guy the other day, and
Speaker 1: not to get off topic here, but he was saying,
Speaker 1: like even when you used to go on like the subway, right,
Speaker 1: there would be like some people on the like the
Speaker 1: paper that the paper out, and if they had the
Speaker 1: paper out, you know, like, hey they're reading, don't talk
Speaker 1: to them. But it was more social like people would
Speaker 1: talk to each other. Now you get on the train
Speaker 1: and everybody's got headphones in and they're looking straight down
Speaker 1: at their phone, and you know, then comes to you know,
Speaker 1: so that's just a glimpse into it. But then you know,
Speaker 1: like porn, it's on the phone. It's like it's like
Speaker 1: that you don't even have to go out and meet anyone,
Speaker 1: you just just want. So, yeah, there is a huge
Speaker 1: decrease in our uh in people having kids, because why
Speaker 1: have kids when you can play video games, drink mountain
Speaker 1: dew and then watch the one of the most you
Speaker 1: know arguably you know.
Speaker 2: And don't forget hot pockets. You got mountain and Han
Speaker 2: hot pockets at will at the microwave. That modern technology
Speaker 2: changes everything.
Speaker 1: And I used to know every single one of my
Speaker 1: phone my friend's phone numbers. Yes, she used to know everything.
Speaker 1: Will uh turn left right, you know highway I now,
Speaker 1: I could barely get back to my my house without
Speaker 1: a GPS god Thomas Guide.
Speaker 2: We had the Thomas Guide back in the day. Yeah, Yeah,
Speaker 2: to help us get around.
Speaker 1: Dude.
Speaker 2: Yeah, it's it's not great.
Speaker 1: It really isn't betting ourselves down.
Speaker 2: We're dumbing ourselves down. And so you know, ultimately it's
Speaker 2: all going to be glasses that everyone's gonna be wearing
Speaker 2: our contact lenses and they'll be doing yeah, and they'll
Speaker 2: be walking down the street and yeah. And the thing
Speaker 2: that is a little disconcerting is that the more technology
Speaker 2: we have and the more that we infuse and imprint
Speaker 2: into our lives, the more we're susceptible to be manipulated.
Speaker 2: And security breaches are happening left and right with regards
Speaker 2: to that, and so everyone every it's big brother. You know.
Speaker 2: That's a whole other thing. But but I do want
Speaker 2: to get back to your point, which is being time travelers.
Speaker 2: We are going to figure out time travel. Einstein allowed
Speaker 2: for that, and whether it's spooky physics or whatever, we're
Speaker 2: going to figure that out. The big question are the
Speaker 2: the present understanding is that you can't go back beyond
Speaker 2: the time that you created the time travel machine, Well,
Speaker 2: that makes no sense. A time is a spiral, it's
Speaker 2: a loop. You can like a record, you can drop
Speaker 2: in any time once you have that technology. So I
Speaker 2: think ultimately we are going to figure that out. And
Speaker 2: wouldn't we go back in time and look at ourselves
Speaker 2: and if you project us out into the future, we're
Speaker 2: becoming bold or less hairy. Our creems are getting bigger.
Speaker 2: I asked Masters in my documentary. I said, well, what's
Speaker 2: with the small aliens, the little worker bees? And then
Speaker 2: we've got the six foot tall ones and he says, well,
Speaker 2: height is an interesting thing because it changed through the
Speaker 2: scarcity of food and where we're at and everything. So
Speaker 2: you know that can be a sign of that fluctuation.
Speaker 2: But we are going to our eyes are getting bigger.
Speaker 2: You know, at some point are we going to need
Speaker 2: the pinky because it looks like they've only got they've
Speaker 2: been reported to only have you know, the four fingers.
Speaker 2: But they are us. We're the fact that we're bipedal
Speaker 2: and hama and they are as well. The odds of
Speaker 2: that coming from another planet having the same thing. I
Speaker 2: mean again, Mitchell kal Kub will say if they come
Speaker 2: from another planet. Most likely the main thing they come
Speaker 2: from life comes from his water, and so they could
Speaker 2: look like lobster men.
Speaker 1: And so well, look at the Vargina speaking of James Fox, Yeah,
Speaker 1: the way that their skin had this like slot, like
Speaker 1: not slime, but this coating on it, and the red
Speaker 1: eyes and then the protrusions on the head and the
Speaker 1: sulfur smell. And then I know Marco Leal who worked
Speaker 1: on that film with James as well, said that they
Speaker 1: had this theory about how they how they used the
Speaker 1: river to actually get from where the crash was to
Speaker 1: Virginia there, and there's all these other things, and I
Speaker 1: agree with you. And then like you got Burchett in
Speaker 1: the news now saying that you know, he thinks that
Speaker 1: there's five deep water basses. I think he just says
Speaker 1: whatever the fuck he wants. But bird shit?
Speaker 2: Is that what you call him?
Speaker 1: No? No, Birchett Burchett.
Speaker 2: Oh, it sounded like you said bird shit, don't Tim?
Speaker 1: I did not. I did not say that, Tim.
Speaker 2: Hey, Tim, did you hear? But I just called you?
Speaker 2: You listen to it? Pay it back?
Speaker 1: Yeah, I'm not you. I I don't know how to
Speaker 1: throw those jokes you're too you're fast.
Speaker 2: Well, here, here's the thing. I kind of find solace
Speaker 2: in the idea that they could be from the future,
Speaker 2: not not you calling h burshell burdshit. I find solace
Speaker 2: in that because it means that we survive, we were
Speaker 2: able to to, you know, succeed. There's a bite going around,
Speaker 2: an interview bite with Spielberg where he talks about endorsing
Speaker 2: the same thing, that they're probably from the future, and
Speaker 2: that they're like you know, anthropologists, coming back and looking
Speaker 2: at us and and seeing what we're doing and trying
Speaker 2: to gently guide us. But I think that if you
Speaker 2: go back in time and then you go back to
Speaker 2: where you came, you're going back to the same time
Speaker 2: and the same circumstances as when you left. You're not
Speaker 2: going back to a different offshoot of that branch that
Speaker 2: you helped create by changing reality.
Speaker 1: Is to say, yeah, obviously time travel, if we are
Speaker 1: going to go that route, we do have a few
Speaker 1: problems with the.
Speaker 2: Yeah, the grandfather clock.
Speaker 1: Or grandfather grandfather paradox. Yeah, but and and do I
Speaker 1: I don't. I don't even know if that's as important
Speaker 1: for us right now. But more so, understanding the ideas
Speaker 1: and the whyse right, why would they be quote unquote
Speaker 1: abducting us? Right? I think I think that this, this
Speaker 1: future human hypothesis, it does fit very well into kind
Speaker 1: of checking off the boxes of of the UFO lore,
Speaker 1: if you will. And but what would you say that
Speaker 1: means about like cryptids and stuff and and the paranormal?
Speaker 1: Have you looked into any of that?
Speaker 2: No, I've not met a kryptoid cryptocurrency. I'm I'm a
Speaker 2: little bit invested in Is that what you're asking you're
Speaker 2: asking my right, No, it's yeah. I mean, oh, there's
Speaker 2: there's high strangeness that comes with the phenomenon that's been
Speaker 2: going on forever and it doesn't get a lot of
Speaker 2: airplay unfortunately. And so with regards to you know, like
Speaker 2: I said to Masters when I was interviewing him, mi co, Hey,
Speaker 2: how come no one talks about reptilian hybrids. They only
Speaker 2: talk about gray hybrids. Doesn't that help your case that
Speaker 2: the grays would be from the future? And He's like yeah,
Speaker 2: And then he said, you know, you could basically hook
Speaker 2: up with a sheep, but you're not going to get
Speaker 2: a sheep man. So the odds of someone from another
Speaker 2: planet coming here and being able to p procreate with
Speaker 2: us is even more remote, and so it would make sense.
Speaker 2: But again no one says, oh yeah, then I was,
Speaker 2: you know, confronted with my reptilian hybrid, you know son.
Speaker 2: No one talks about that, nor do they talk about
Speaker 2: the mantis, you know, and no one said that there's
Speaker 2: a big foot, you know, hybred out there, which would
Speaker 2: be pretty cool. Yeah, but anyway or terrifying or terrifying.
Speaker 2: So I think that they're from Yeah, I think that
Speaker 2: they're from the future. And you know, the things that
Speaker 2: that I look at, it's kind of like, yeah, because
Speaker 2: I worked on all these crime shows. Dude, it's almost
Speaker 2: like I have to have a mental board where I'm
Speaker 2: taking yarn and I'm stretching it from one clue to
Speaker 2: another and everything. And I look at all these things
Speaker 2: and I go, Okay, they say we have every right
Speaker 2: to do this to you. What does that mean? And
Speaker 2: you try to stitch it all together. But I see
Speaker 2: that that what they're doing is, you know, with the
Speaker 2: hybrid program, it's you know, the at first blush, you go, oh, well,
Speaker 2: they're doing this because we're going to be entering to
Speaker 2: something where we're going to have to change our physiology. Actually,
Speaker 2: before that, we might be saying, well, their planet this
Speaker 2: is this is the narrative ice to hear. Their planet
Speaker 2: is dying, and so they want to continue through us,
Speaker 2: and I'm like, who gives a ship? Why would you
Speaker 2: want to do that? It's like you're going to change
Speaker 2: yourself completely to continue. Well, you're not going to be
Speaker 2: continuing because you're going to be now human.
Speaker 1: You're going to be changing. Yeah, it doesn't make any.
Speaker 2: That makes that doesn't make any sense to me. So
Speaker 2: then it's it's we're not pro creating again. This is
Speaker 2: Master's thing that we're not pro creating enough. And if
Speaker 2: we continue going out and projecting out, then what happens
Speaker 2: is that we become very ancestrious ancestral and uh, and
Speaker 2: we end up needing more gene supplies. Otherwise everyone ends
Speaker 2: up playing the banjo if you're a fan of the
Speaker 2: movie Deliverance. And so it really becomes actually, yeah, that
Speaker 2: we have a bigger gene poll and the best way
Speaker 2: to do that is to go back and take amplings
Speaker 2: from previous like us and chroman, because we have chrome
Speaker 2: mag and in us which helps us.
Speaker 1: Yes, yeah, yeah, yeah, it would make sense that. Yes,
Speaker 1: the and I actually you know that it would make
Speaker 1: sense to a degree of why generational abduction happens, right,
Speaker 1: because you'd want to you'd kind of the bloodline idea, right,
Speaker 1: is you you're if you find one that that that works,
Speaker 1: you're going to continue with that bloodline. So that that's
Speaker 1: interesting to me. I mean, what what do you I
Speaker 1: mean across your interviews that you've done aside from this
Speaker 1: future human hypothesis, Uh, like, did you did you notice
Speaker 1: any other consistent themes, are patterns or anything that would
Speaker 1: suggest like a structured or interventional Uh. You know why
Speaker 1: behind these encounters?
Speaker 2: Well, it's interesting, right because they are warning us. Well,
Speaker 2: you don't warn someone if they're on a train and
Speaker 2: the end of the tracks drops off into an abyss.
Speaker 2: There's nothing they can do, so why warn them? So
Speaker 2: to me, that's a hopeful message. You say, hey we
Speaker 2: can we're taking your genes and stuff. We need your genes.
Speaker 2: But by the way, just does a solid for you.
Speaker 2: I'll tell you I saw the end of the tracks
Speaker 2: and you need to slow your role now and pull over.
Speaker 2: And so until that happens, when we start listening to that,
Speaker 2: we're you know, it's falling on deaf ears, and so
Speaker 2: that in and of itself is a test for humanity.
Speaker 1: Why not not a president then and just tell.
Speaker 2: Him, Yeah, but what's the president going to do? Is
Speaker 2: he going to come out and say, all right, so
Speaker 2: I talked to the aliens and here's what they said. Good,
Speaker 2: good luck with that. I always like to play a
Speaker 2: scenario out where the perfect version of disclosure used to
Speaker 2: be one of of an example of the movie when
Speaker 2: the Earth Stood's Still, and so you get a UFO
Speaker 2: that lands lands on the White House lawn and this
Speaker 2: being comes out, well, from what we hear across the board,
Speaker 2: they all communicate telepathically, and so that would mean that
Speaker 2: a representative from the White House the administration would come
Speaker 2: out and they would like listen and then turn with
Speaker 2: their microphone to the cameras you know, Fox, CNN, all
Speaker 2: of them, and they would say, all right, so here's
Speaker 2: what this guy just said. It's a guy, right, what
Speaker 2: is your pronoun? And they'd have to find at the
Speaker 2: pronoun of the aliens. Yeah, it could be they want
Speaker 2: to refer to as them are just gray anyway, So
Speaker 2: then they've got to translate that. But there's gonna be
Speaker 2: people are going to say, accuse them of manipulating what
Speaker 2: the message is because we're not hearing it. So does
Speaker 2: that mean the alien's going to have to go on
Speaker 2: an old whistle stop tour, you know, on the trains
Speaker 2: throughout the whole country and and communicate to those people
Speaker 2: person by person? Like what is the reach of telepathy
Speaker 2: if you a stadium, can you you know, reach out
Speaker 2: to a stadium of people and telepathically communicate with them?
Speaker 2: I don't know, right, So there's problems within that type
Speaker 2: of a full disclosure because that's the only full disclosure
Speaker 2: to total disclosure that you're going to get. And so
Speaker 2: I think it's uh a paramount that that we look
Speaker 2: at that that evidence and say what what is it
Speaker 2: that we ultimately want? And so when I think of disclosure,
Speaker 2: it's not a total disclosure, sorry to say. I think
Speaker 2: what's feasible or realistic is to get more footage. It's
Speaker 2: to be able to see than nuts and bolts. It's
Speaker 2: two things, dude. It's to see the nuts and bolts.
Speaker 2: And we have great photographs and phenomenal footage that the
Speaker 2: government has that they're sitting on. That's not debatable anymore.
Speaker 2: We've had politicians who have seen it and have mentioned it,
Speaker 2: and so we know it's there. And the excuse that
Speaker 2: the government has had for not showing it to us,
Speaker 2: one of the excuses is, well, we don't want our
Speaker 2: enemies to be able to reverse engineer it. And I'm like, wait,
Speaker 2: hold on here. Supposedly you've got crash retrieval programs that
Speaker 2: gets these you know, get these crafts whether they're functioning
Speaker 2: or not, and you're trying to fix them, and you
Speaker 2: can't effectively reverse engineer it to the point that we're
Speaker 2: able to get that technology into planes and current stuff
Speaker 2: that we have right now. But because they had a
Speaker 2: whole problem, and the whole Bob blazaar, you know, mythology
Speaker 2: is all that he was there and they were trying
Speaker 2: to work on this in the eighties, nineties, et cetera.
Speaker 2: So we could look at a picture and actually figure
Speaker 2: out how to reverse engineer this. Well, you know what
Speaker 2: if I go back in time and I show my
Speaker 2: my smartphone two, yeah, just one hundred years ago and say, hey,
Speaker 2: they'll never figure out how this frickin thing, right.
Speaker 1: They might get it to turn on, they might turn.
Speaker 2: Yeah maybe well yeah, yeah, but to get them to
Speaker 2: figure out how to swipe left or right. I don't
Speaker 2: know if that's possible, but but so so then the
Speaker 2: question is then where do we where do we land
Speaker 2: uh with that? Where do we ultimately you know, end
Speaker 2: up with this technology?
Speaker 1: And yeah, go ahead, well where do we ultimately end up?
Speaker 1: And you know what, what do you think of? Oh?
Speaker 2: Sorry, I didn't even finish my point. So so that's
Speaker 2: the first that's the first level of this, which is
Speaker 2: that technology. Then then the next next one for a disclosure,
Speaker 2: is going to be the beans that we've got debris
Speaker 2: of humans, not humans, but humanoids whatever we want to
Speaker 2: call them. And so that to me is very uh boy,
Speaker 2: that's that's a slippery slope because once you open that
Speaker 2: Pandora's box, you know that toothpaste is an't going back
Speaker 2: in there. So we're going to show We're going to
Speaker 2: show the UFOs, We're going to show them to the aliens,
Speaker 2: to to humans and have them look at them and everything.
Speaker 2: I would love that. But then do we make that
Speaker 2: available to everyone so that we can be looking at
Speaker 2: the genetics of this, the makeup, and are we going
Speaker 2: to do something with that? Are we going to take
Speaker 2: the alien bodies, and are we going to like we're
Speaker 2: doing with and we're close to it with the Woolye
Speaker 2: mammoth and bring it back. So what we bring back
Speaker 2: this alien? It's dicey, dude, And we're not even talking
Speaker 2: about the abductions. The government's never going to admit that
Speaker 2: there's never a way to absolve them and say no.
Speaker 2: And by the way, why don't the aliens show up,
Speaker 2: hire a really good PR firm and say, look, we
Speaker 2: need some humans for some stuff that we're doing. And
Speaker 2: there's this thing it's we don't like to discuss it.
Speaker 2: It's a probing thing that happens at the back and
Speaker 2: that's part of it. But other than that, it's a
Speaker 2: little scary. But you know, we'll give you a lollipop
Speaker 2: at the end. And are there any volunteers. I am
Speaker 2: willing to admit that there's going to be a line
Speaker 2: that'll go from here to New York of people going,
Speaker 2: sign me up, let's do it. At least I get
Speaker 2: a chance to talk and commune with you and everything.
Speaker 2: I'm good to go. But they don't do that. So
Speaker 2: what does that tell you? They're taking people who, for
Speaker 2: the most part at the beginning do not want this.
Speaker 2: But I've been to plenty experience or support groups, and
Speaker 2: I filmed it one and that's going to be in
Speaker 2: my new documentary coming next year. And I got to
Speaker 2: tell you. I asked them, I said, how many of you,
Speaker 2: if you could go back in time and have this
Speaker 2: not happened to you, how many of you would want that?
Speaker 2: No one raised their hand. No one. And I'm in
Speaker 2: a room of like eighteen people.
Speaker 1: Not a single one which would not do it.
Speaker 2: No, even though it's been terrifying and a reality shattering experience,
Speaker 2: none of them would do that. So there's easier ways
Speaker 2: to get volunteers for this. Well, first of all, to
Speaker 2: get volunteers period would be a good idea. So there's
Speaker 2: all these things are a little clues, you know that
Speaker 2: we've got to kind of factor in the ultimate you know,
Speaker 2: recipe for what's you know, being baked by these beings?
Speaker 1: Right, that's a that's actually I don't think I've ever
Speaker 1: had someone pose that pose it like that. That's very
Speaker 1: very interesting, you know that you say that.
Speaker 2: That'll happen sometimes with me, Yeah, a lot. Occasionally I'll
Speaker 2: say something right, no, No, it is something of interest
Speaker 2: pretty profound.
Speaker 1: Actually, I mean, so your newest, your newest film, it
Speaker 1: zooms out to the you know, the cosmic scale. You
Speaker 1: know what evidence or ideas convinced you specifically that life
Speaker 1: beyond Earth is not it's not just possible, but but
Speaker 1: it's but it's likely.
Speaker 2: Statistically, it's impossible for their not to be life beyond
Speaker 2: this planet. In in the only perspective which came out
Speaker 2: in January, that question I asked the chief Deputy of
Speaker 2: the Test Program, which is NASA's search before we had
Speaker 2: the amazing James telescope. This was the technology that they had.
Speaker 2: And I said to her, and this is a doctor,
Speaker 2: Alisa Quintana. I said, what happens when NASA finds that
Speaker 2: solar system, finds that planet, you know, with a dice
Speaker 2: in sphere and everything or a light credit night, what
Speaker 2: happens then? What do you guys do then?
Speaker 1: Protocol?
Speaker 2: Yeah? And she started to get the giggles and I
Speaker 2: go what And she says, you know, we focus on
Speaker 2: the next flagship technology, but we don't have any protocol
Speaker 2: when it comes to actually seeing something when we do
Speaker 2: and I started we're both laughing. I'm going, wait, what
Speaker 2: that's like building railroad tracks and not having yeah, and
Speaker 2: not having an idea of what how to stop the train.
Speaker 2: It makes no it makes no sense. And I said, well,
Speaker 2: who would have that? And and she suggested, well, SETI
Speaker 2: as much as people bemoan them do have a program
Speaker 2: a protocol. And so now I'm going to interviews so
Speaker 2: Sad shows that yeah, yeah, and ask him about it
Speaker 2: and uh and find out what the protocols and so
Speaker 2: it's it's just really interesting that that, you know, again,
Speaker 2: that's a sign of us humans not thinking things all
Speaker 2: the way through. And that's at a high, high high level.
Speaker 1: Yeah, right, right right, And I know we have about
Speaker 1: seven minutes left. Listen. I really want to do a
Speaker 1: part two with a part two and three and four
Speaker 1: and probably five, and you know I could. I just
Speaker 1: definitely for some reason, when I interview someone, I know
Speaker 1: if I would gel with them in a way. And
Speaker 1: and you're just one of those people that, uh you
Speaker 1: really just you're able to roll really well and spa
Speaker 1: pretty well. So you know, if you ever needed uh
Speaker 1: you know, help with your with your films, I got experience. Uh. So, anyway,
Speaker 1: do you think that there's a lot of people that
Speaker 1: are religious Uh, they have religious ideology. Uh. And and
Speaker 1: you know those people end up in the government, they
Speaker 1: end up in the military, they end up in positions
Speaker 1: of power, whether it's the church. Yeah, YadA, YadA, YadA.
Speaker 1: You know, don't you think by by definition angels, demons,
Speaker 1: what our ancestors called God odds, By definition, that's non
Speaker 1: human intelligence with faster than light travel and meets all
Speaker 1: that criteria. So I mean, have you looked into that
Speaker 1: side of it and what do you think? Well, same term,
Speaker 1: just different lens.
Speaker 2: Yeah. It's interesting because in Life Beyond Earth, the new doc,
Speaker 2: we talk about first of all, we look at meta material,
Speaker 2: this exotic material, and we do a breakdown of that,
Speaker 2: and we go to Caltech. We're not going to someone
Speaker 2: who is a professor, but they're not a professor an
Speaker 2: extraterrestrial material, which is who professor Tusso frontcois whoso is
Speaker 2: at cal Tech. That's all this guy does is he
Speaker 2: looks at meteorites, he looks at at comets material that
Speaker 2: we've had. He knows it better than anyone on the planet.
Speaker 2: In fact, he's he's revolutionized analysis of this technology and
Speaker 2: been able to pinpoint things that others could not so
Speaker 2: we had him look at it. So that's one component
Speaker 2: of that. But we also, in addition to taking down
Speaker 2: a a UFO carpetbagger who's has a long history. I
Speaker 2: don't want to give it, give it away, but who's
Speaker 2: been putting this agenda one of the more crazier stories forward,
Speaker 2: we actually debank it with photographic evidence. But the most
Speaker 2: important thing, and the reason why I mentioned it, is
Speaker 2: we look into downloads. And so we're looking at downloads
Speaker 2: as an example, our space program and the Russia's Russians
Speaker 2: space program, we're all created by two characters, two people
Speaker 2: who believe that they got the technology in part from extraterrestrials.
Speaker 2: And so you can call it muse, you can call
Speaker 2: it whatever. But you know, Paul McCartney wakes up with
Speaker 2: the song yesterday in his head, fully formed, not the
Speaker 2: lyrics but the melody, fully formed. That was a gift.
Speaker 2: I mean, how do four lads from Liverpool, middle class,
Speaker 2: lower middle class neighborhood change music as we know it
Speaker 2: without having some intervention going on, even in the arts.
Speaker 2: So I feel like these you know, downloads and being
Speaker 2: affected and getting this information. It's been coming forever and
Speaker 2: it's shaped things, and so when it comes to religion,
Speaker 2: we can find like the Jesus story has been repeated
Speaker 2: twelve times, this is the thirteenth iteration of it, all
Speaker 2: through the ages, where someone's born in a manger and
Speaker 2: there's apostles and everything, the same story, the Crucifixion, everything.
Speaker 2: So you know, we're storytellers. We've been doing that since
Speaker 2: caveman time, and we've been drawing them on walls since right,
Speaker 2: So I feel like, you know, it's part of a
Speaker 2: rationale for things. Why is there this sun, why is
Speaker 2: it sometimes snow on the ground. Why we look for
Speaker 2: reasons and so until science shows up and says, oh,
Speaker 2: here's the reason why. Well, we got to come up
Speaker 2: with something because humans do not like dangling modifiers when
Speaker 2: it comes to understanding how life works. So we do that.
Speaker 2: So when people start folding religion into this, it makes
Speaker 2: me a little nervous. Loue Elizondo has told me about
Speaker 2: when he would brief some of these people, these these generals,
Speaker 2: and a chunk of them would come up and say
Speaker 2: a few of them would come up and say, you know,
Speaker 2: you're doing God's work, and others would say, you know,
Speaker 2: they're demons, right, these beings. Yeah yeah, and that's their
Speaker 2: dogma that they were raised into. And so I'm agnostic. Dude.
Speaker 2: It's like, show me the money. I need to see
Speaker 2: the evidence and stuff. But I don't believe that, you know, man,
Speaker 2: is you know I don't. Well, first of all, I don't.
Speaker 2: I don't think that that it's possible for us to
Speaker 2: be born with sin. So why we have to already
Speaker 2: be at a deficit that we come into this? You know,
Speaker 2: when I saw my daughter when she was born, everything,
Speaker 2: I look at this pure child and I go, sitting
Speaker 2: will come later. Yeah.
Speaker 1: I know you're right though, but we.
Speaker 2: Have to be allowed to stumble. We learn nothing from
Speaker 2: success zero. We only learn from our failures. They're not yeah,
Speaker 2: they're not failures. They are steps to get us to
Speaker 2: where we want to go. And so because we're tenacious,
Speaker 2: we're tenacious people, we will get there. I have every
Speaker 2: bit of faith that we will get there. But to
Speaker 2: wield any kind of religion or spirituality or belief against
Speaker 2: others is unconscionable, And you need a question if someone's
Speaker 2: doing that, Just just do your own inner compass and
Speaker 2: know that you know that things happen for a reason
Speaker 2: doesn't always have to be the fantastical, and that I
Speaker 2: think at the end of the day, it did. It
Speaker 2: really comes down to that one thing, which is treat
Speaker 2: people as you want to be treated. Yeah, you know, yeah,
Speaker 2: and yeah, and the other thing lastly I just want
Speaker 2: to say, which is with regards to you know, the environment.
Speaker 2: As a father, I'm gravely concerned with where we're going
Speaker 2: and I feel like anything we can do, and especially
Speaker 2: if you're in the UFO community, I believe that you
Speaker 2: support that agenda, that you're not going to ignore what
Speaker 2: these beings are telling us, right, because it's only two
Speaker 2: things that we're really getting specifically that are repeat comments,
Speaker 2: you know, help technology not being great for us, and
Speaker 2: helping the planet. I think if we don't endorse anyone
Speaker 2: who wants to help the planet, then why are we
Speaker 2: following these these advanced beings. Why are we listening to them?
Speaker 2: We should be shunning them. If you don't believe that,
Speaker 2: you should, like you get your UFO community membership card
Speaker 2: thrown out. If if you're uh the belief that you
Speaker 2: know that we're not doing that right, the damage, I mean,
Speaker 2: we already see it in people not successfully pro creating anymore.
Speaker 2: The the sterile artifacts of that is just you know,
Speaker 2: through the roof, it's through.
Speaker 1: And it's and it's crazy. I know you're going to
Speaker 1: get out. Uh if if there's one if, what's one
Speaker 1: thing after everything you've seen and learned? Uh, you know what?
Speaker 1: What keeps you up at night right now?
Speaker 2: Oh? Sorry, it does not. It does not keep me
Speaker 2: that does That would do the opposite, I would, yeah, yeah, right.
Speaker 2: What keeps me up at night is the question of
Speaker 2: what is it all about? I want to know what
Speaker 2: the third act is. I want to know what we're
Speaker 2: ultimately going to be experiencing. It excites me. The what
Speaker 2: ifs a third of my ips, the stories that I create.
Speaker 2: I mean right now I'm pivoting from documentaries. I'm going
Speaker 2: to probably take a break. I've got two more documentaries
Speaker 2: coming out next year, and then I'm going back into
Speaker 2: doing fiction where I can take the things that I've
Speaker 2: learned and I can infuse them in stories and take
Speaker 2: them to the next level that I'm not seeing played out.
Speaker 2: And so Spielberg is doing that right now with his
Speaker 2: new film that's going to be coming out next I
Speaker 2: believe it's June twelfth, It's going to be epic. That's
Speaker 2: all I have to say. But yeah, so I'm excited
Speaker 2: about doing that. I'm excited about taking what I've learned
Speaker 2: and then putting it again into a kind of wish
Speaker 2: fulfilm at situation that is exciting to me. And so
Speaker 2: taking everything I've learned, I feel like I've gone as
Speaker 2: far as I can. And occasionally I still have things
Speaker 2: that me but that that I hear, So you know,
Speaker 2: I still want to be, uh, you know, a part
Speaker 2: of an active part of the community.
Speaker 1: I gotta we should talk, man, I gotta, I got.
Speaker 1: I got something I wrote and it would it almost
Speaker 1: pays homage to your first film. So all your links
Speaker 1: will be in the description below. Both the air movies
Speaker 1: are available on Amazon. And that is the Alien Perspective
Speaker 1: and is it Life Beyond Earth.
Speaker 2: Yeah, the new one, Life Beyond Earth, which is kind
Speaker 2: of a part two to the first one. You don't
Speaker 2: need to see, uh have to see the first one
Speaker 2: to see the second one. But Life Beyond Earth is
Speaker 2: the one that is the most recent one and has
Speaker 2: some has some great mic drops in that as well.
Speaker 1: Well. Thank you for everything that you do, Dane. I
Speaker 1: know you got to get a get on the road.
Speaker 1: So I would love to have you back on many
Speaker 1: I think we have a much larger conversation to have. Uh,
Speaker 1: and I just again thank you for thank you for
Speaker 1: doing this and you know for every and out there.
Speaker 1: Definitely get over to Amazon and watch watch these movies
Speaker 1: because uh, you know you will not you will not
Speaker 1: be disappointed.
Speaker 2: Thank you, Jam, thank you brother, appreciate this is fun.
Speaker 1: Oh man, all right, we'll do it again sometime, right,
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