The "Father Of Remote Viewing" INGO SWANN & His Mystical Journey
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Speaker 1: What all.
Speaker 2: Our diap I occasionally think how quickly our difference is
Speaker 2: worldwide would vanish if we were facing an alien threat
Speaker 2: from outside this work. And yet I ask you, it's
Speaker 2: not an alien force already among us.
Speaker 3: We must guard against the acquisition of unwarranted influence, whether
Speaker 3: sought or unsolved by the military industrial contact. The potential
Speaker 3: or the disastrous rise or misplaced power exists and will persist.
Speaker 1: Now I am become Death Dyer of World Association with
Speaker 1: Project Group. They definitely withheld.
Speaker 2: Information, definitely.
Speaker 1: Going again.
Speaker 2: You shall be twere or for the test when you
Speaker 2: are about to give us the truth.
Speaker 4: The whole truth, and nothing the truth.
Speaker 1: So help you, guys. Do you believe that our government
Speaker 1: is in possession of the agents?
Speaker 4: Absolutely come back to total disclosure. My name is Tie
Speaker 4: and I am your host. Today you we delve into
Speaker 4: the extraordinary life and legacy of Ingo Swan, a name
Speaker 4: synonymous with pioneering exploration in the realms of consciousness and
Speaker 4: the unknown. As a central figure in the field or
Speaker 4: remote viewing, Swan's ground baking work not only challenge conventional
Speaker 4: boundaries but also open doors to new dimensions of understanding.
Speaker 4: I am very happy today too, welcome the niece of
Speaker 4: Ingo Swan, Ellie Lippin. Ellie, how you doing. That's such
Speaker 4: a great name, by the way, Oh that's wonderful.
Speaker 1: Well, thank you, thank you for such a wonderful introduction.
Speaker 1: And what an opening. I mean, you're opening to your
Speaker 1: podcast is so sparring chilling. It's just fantastic to be
Speaker 1: on your podcast.
Speaker 4: So thank you, well, thank you for doing this. I
Speaker 4: know this is a little bit unconventional obviously, you know,
Speaker 4: we're talking about someone someone else and kind of going
Speaker 4: through you a family member too, to try to paint
Speaker 4: as vividly as we can the life and the mysterious
Speaker 4: and the mystical aspects of Ingo Swan, who is you know,
Speaker 4: really well known in the UFO community and just this
Speaker 4: you know, gray world that we live in. And I
Speaker 4: think I really, I really wanted to start diving deeper
Speaker 4: into these these individuals. After a couple months ago, something
Speaker 4: happened and I've kind of been on a path lately
Speaker 4: of trying to explore and find things that validate what
Speaker 4: I experienced. I need to be very nuts and bolts
Speaker 4: now not, I guess that's the way to say it.
Speaker 1: You know inga would say, we hardly understand the real
Speaker 1: reality that we live in. So it's probably a very
Speaker 1: fantastic thing that you've moved from a materialistic nuts and
Speaker 1: bolts to a more ambiguous understanding of the world. Because
Speaker 1: Inga would say, our frames of reference, you call them
Speaker 1: reality boxes, are dictated to us. So if you can
Speaker 1: start to make your way out of them, you'll understand
Speaker 1: actually what a prison we do live in. So I
Speaker 1: commend you for starting on that journey.
Speaker 4: Yeah, and so maybe we can introduce So who is
Speaker 4: Ingo Swan to you? I did say introduction, but maybe
Speaker 4: we can start off by just getting to know a
Speaker 4: little bit about who you are and why you've continued to,
Speaker 4: you know, stay relevant in the in the realm of
Speaker 4: what Ingo's Swan did and what his work was.
Speaker 1: Sure. Yeah, so Ingo with my uncle. He was the
Speaker 1: older brother to my mother. So Ingo had two sisters,
Speaker 1: my mother and another sister who passed away in nineteen
Speaker 1: eighty nine who has her own family. So but Ingo
Speaker 1: was closest to my mom. So my mom was the
Speaker 1: baby of the family and Ingo is eight years older
Speaker 1: than my mom. But for some reason they just formed
Speaker 1: a very close relationship. Even though there was say eight
Speaker 1: years between them. My mom always said that she would
Speaker 1: just follow along whatever my my uncle was doing with
Speaker 1: his friends. And she know, of course, like a young sibling,
Speaker 1: wanted to do everything with him, and he wanted nothing
Speaker 1: to do with her. Who would do had this little
Speaker 1: young girl like following along with your friends. You're trying
Speaker 1: to have adventures, right, and here's this thing like holding
Speaker 1: you back. But as they got older, and my mom
Speaker 1: was living in New Jersey, and when she graduated from
Speaker 1: high school and ultimately went to nursing school in New Jersey,
Speaker 1: she was just across the river from Ingo, who was
Speaker 1: in Lower Manhattan at the time, and so they just
Speaker 1: began to sort of reconnect at that point and it
Speaker 1: ended up just forming a very strong bond from that
Speaker 1: point on. And so because of that, when Ingo was
Speaker 1: at Stanford Research Institute, which is, you know, just outside
Speaker 1: of Stanford, California, my mom had moved us, my sister
Speaker 1: and I to Coopertino, which is you know, now known
Speaker 1: as the headquarters of Apple but before that it was
Speaker 1: just you know, a sleepy bedroom community of orchards before
Speaker 1: Silicon Valley really blossomed. So cooper Tino was not that
Speaker 1: far away just outside of San Joise from where Ingo
Speaker 1: was at Stanford.
Speaker 4: So Inga would spend a lot.
Speaker 1: Of time with us. Sometimes he when he was at SRI,
Speaker 1: he was a consultant.
Speaker 4: He was not an.
Speaker 1: Employee, nor a full time employee, but a consultant, so
Speaker 1: shuttling between New York and the West Coast. So sometimes
Speaker 1: he would stay at hotels, sometimes apartments, sometimes with friends
Speaker 1: and sometimes with us. So it's always sort of this charismatic,
Speaker 1: mysterious individual that would just pop in, take over one
Speaker 1: of either my bedroom or my sister's bedroom, and then
Speaker 1: and then and then leave. And then sometimes we would
Speaker 1: go up and stay with him at his hotel or
Speaker 1: apartment because in Everly it had a swimming pool and
Speaker 1: we would just spend the time in the swimming pool.
Speaker 1: So yeah, so he he was just a family member
Speaker 1: to us, a little kind of unknown and it's sort
Speaker 1: of a mystery around him until he's started to bring
Speaker 1: his students and.
Speaker 4: I can talk about that. So so yeah, so he
Speaker 4: did you know what was going on? Like, so when
Speaker 4: did you find out who he was? Who he really
Speaker 4: really was?
Speaker 1: So when we were in Cooper Tino, we knew that
Speaker 1: he was doing experiments at s Ryan. We knew that
Speaker 1: they were like psychic in nature because sometimes you would
Speaker 1: bring the students over and they would have dinner with us,
Speaker 1: and sometimes they would pull out the silverware and then
Speaker 1: they would all try to bend the silverware. And yeah,
Speaker 1: I tried to hear it again, and they were very successful,
Speaker 1: and it like drove my mom crazy because you had
Speaker 1: to always get new silver w Yes, they would do it,
Speaker 1: but but you know, to me, I was in middle
Speaker 1: school and that was sort of a frightening experience for
Speaker 1: me because in my mind, like psychics could read your mind,
Speaker 1: and so I know, my sister and I were always
Speaker 1: deathly afraid that they would know some sort of secret
Speaker 1: we were keeping from my mom, right.
Speaker 4: God, so yeah, so so, but we.
Speaker 1: Didn't really need to worry about it because Ingo loved
Speaker 1: to get people really drunk and he loved me kind
Speaker 1: of them, so I think they were like a little
Speaker 1: too slash to really be concerned about any secrets that
Speaker 1: we may be keeping from my mom.
Speaker 4: Yeah.
Speaker 1: So yeah, so we knew he had We knew he
Speaker 1: had students that were working on psychic stuff. And really
Speaker 1: it wasn't until I graduated from college in nineteen ninety one,
Speaker 1: and I didn't have a place to say, I sort
Speaker 1: I have a roommate and that fell apart, and the
Speaker 1: Goo said, hey, come live with me. And it wasn't
Speaker 1: until I sort of moved into his home at three
Speaker 1: fifty seven of the Bowery, which is in the East
Speaker 1: Village of Manhattan, that they got to understand that things
Speaker 1: were a little bit more complicated in the.
Speaker 4: Life of Ingo Swan, right right, Oh, that's very interesting.
Speaker 4: So can you can you tell us about Englishwan's early
Speaker 4: life and what kind of led him to develop and
Speaker 4: explore this ability.
Speaker 1: Sure, so even from when he was a young child.
Speaker 4: It's very precocious.
Speaker 1: He could see things that obviously figured out very quickly
Speaker 1: that other people could not see. So he describes it
Speaker 1: as seeing butterfly lights around people. We might call that
Speaker 1: seeing auras today it's seeing lights and energies around individuals.
Speaker 1: And he would try to explain this to his parents
Speaker 1: and they didn't really have a concept for what that was.
Speaker 1: But fortunately his maternal grandmother, so my great grandmother, she
Speaker 1: had many of the same experiences that Ingo had, and
Speaker 1: so they could form a very close bond the two
Speaker 1: of them, and sort of talk to each other in
Speaker 1: a way. So even when he wouldn't explain these things
Speaker 1: to his parents, he had a grandmother that he could
Speaker 1: sort of weave his way through life of a very
Speaker 1: strange understanding of what was happening around him. So very young,
Speaker 1: So even when he's two or three, he's having these experiences.
Speaker 1: And he does write about having his tonsils removed, and
Speaker 1: he talks about having his first out of body experience
Speaker 1: during that surgery where he drifts up and then he's
Speaker 1: able to actually see in the operating room where his
Speaker 1: tonsils are in a jar, and when he wakes up,
Speaker 1: he can he can describe them in the jar. So yeah,
Speaker 1: seeing Auras he's having out of body experiences and he's
Speaker 1: actually having premonitions. It was something he actually was able
Speaker 1: to discuss with his grandmother too. Tell You're right, he writes,
Speaker 1: is very before it was all the written famous, the
Speaker 1: playground and the written famous. It was a mining community,
Speaker 1: and Ingo says, those who work very closely with with
Speaker 1: the environment are very attuned to when there are shifts
Speaker 1: in that environment, so very apt to knowing when something
Speaker 1: might happen. And definitely tell you writes right against a
Speaker 1: very sheer, sheer mountain face. So the danger of landslides,
Speaker 1: the danger of avalanches was always present, or caven's in
Speaker 1: the cave, in the in the mining caves, and so
Speaker 1: miners were very attuned to like when there might be
Speaker 1: a shift happening, and so it was known, as he
Speaker 1: called it, the knowing.
Speaker 4: So he's already in.
Speaker 1: An environment that's kind of using their intuition and they've
Speaker 1: gut instincts. And then and then he himself having these
Speaker 1: other types of experiences. So he did have premonitions. When
Speaker 1: he was young, he saw his house catching on fire.
Speaker 1: He did warn his parents about it. They did ultimately
Speaker 1: take him at his word and fled the house, and
Speaker 1: then there was a fire that burned down the house.
Speaker 1: So yeah, so I think he from a young age
Speaker 1: had these things until he was about seven or eight
Speaker 1: when he started to have very philosophical discussions with his
Speaker 1: Sunday school teacher. And once these discussions happened, and he
Speaker 1: quickly learned that these were very taboo subjects and certainly
Speaker 1: not one to be having your Sunday school teacher. So
Speaker 1: he was so he was sort of banned from Sunday school,
Speaker 1: which was it was a very difficult experience for him.
Speaker 1: So he was very learned to sort of kind of
Speaker 1: not talk about these things and to shut these things
Speaker 1: down because the ramifications were very damaging to him.
Speaker 4: Right right. I mean, you know something that's on the
Speaker 4: mind of a lot of people right now are the
Speaker 4: televithy tapes, that podcast that just came out. And I
Speaker 4: mean American sign language was considered pseudoscience for up until
Speaker 4: the seven right, So we look at that like, that's
Speaker 4: just one at least one notion to say that yesterday's
Speaker 4: supernatural is today's natural. And it sounds like what Ingo
Speaker 4: had is a very acute brain and attuned to the
Speaker 4: environment around him, something maybe that we all have inside
Speaker 4: of us, but more activated inside of England.
Speaker 1: Yeah, I think he would say that. I think that
Speaker 1: was his life's journey, is to say there are what
Speaker 1: he called superpowers of the human bio mind that are
Speaker 1: innate within it. So within our biobodies and our bio minds,
Speaker 1: abilities or faculties might be a better word, in which
Speaker 1: we are very plugged into a very interconnected aspect. The
Speaker 1: way he might describe it is how you might look
Speaker 1: at the Force in Star Wars, very similar, very similar
Speaker 1: that there is this interconnected web that we can plug into,
Speaker 1: but we've been trained away from utilizing what he called
Speaker 1: our perceptual awareness system. So the vast array of senses
Speaker 1: within our bodies. And I'll give you example. So for
Speaker 1: those who are maybe able to hold things in their hands,
Speaker 1: you know psychics who are like, let me hold something
Speaker 1: and I can.
Speaker 4: Get some read off of it.
Speaker 1: What may be happening, he speculated, is that we have
Speaker 1: some senses in our hands that are able to sense
Speaker 1: these energies and vibrations off the object, similar to maybe
Speaker 1: how a dog smells a piece of clothing and is
Speaker 1: able to track that person based on the scent. Very
Speaker 1: you know that there's some sort of energy or aspect
Speaker 1: that is able to be sensed in some way in
Speaker 1: our biobodies.
Speaker 4: That's actually a very good, a good way to visualize it,
Speaker 4: because you know, I've always thought, at least to myself,
Speaker 4: that the consciousness seems to be the key. And why
Speaker 4: do you think, why do you think that is so taboo?
Speaker 4: Why do you think consciousness is no taboo?
Speaker 1: Well, he Ingo explains, it is the original definition of
Speaker 1: aware meant two things to be wary, to be attuned
Speaker 1: to things that might be dangerous in your environment, to
Speaker 1: be kind of on guard about something, and then to
Speaker 1: look for opportunities. So two sides of the coin. No danger,
Speaker 1: but knowing something might be very beneficial for you. But
Speaker 1: if you're a power structure, you certainly don't want a
Speaker 1: lot of aware people who might be aware to what
Speaker 1: kind of things you might be manipulating around them and
Speaker 1: able to do something about it. So so yeah, So
Speaker 1: he talks about power structures that are very afraid of
Speaker 1: having very powered individuals.
Speaker 4: So essentially keep the masses suppressed right so that they
Speaker 4: cannot and will not want to see what's really there.
Speaker 4: And I talk about this a lot lately because we
Speaker 4: grow up, or at least most of us, grow up
Speaker 4: in a home that is, you know, our parents, we
Speaker 4: learned that the world is black and white.
Speaker 2: Right.
Speaker 4: What you can see, feel, touch, what you can what
Speaker 4: you can smell, Those are the sense you know, Those
Speaker 4: are the things that are real. This table is real,
Speaker 4: this microphone's real. It's not until like it's not until
Speaker 4: very much later in our lives that we kind of
Speaker 4: realize there's more gray than we were ever led to believe.
Speaker 4: And I call that for me I call it the
Speaker 4: moment of conversion. For me, it was when I saw
Speaker 4: a Ufo as a child. Then the world became really gray, right,
Speaker 4: And I had so many more questions that my parents
Speaker 4: couldn't answer or weren't willing to answer. Other people weren't
Speaker 4: willing to answer them either, maybe due to their religious beliefs.
Speaker 4: So there's a lot of constraints societally when it comes
Speaker 4: to these phenomena. So I definitely understand that you.
Speaker 1: Think about a good analogy would be the Hubble telescope
Speaker 1: versus the James Web telescope. Right, So our world, what
Speaker 1: we understood, was defined by what or let's say the
Speaker 1: universe or the Solar system or space defined by what
Speaker 1: we could see in telescopes, and the furthest one was Hubble,
Speaker 1: and that's what we built our understanding around. And then
Speaker 1: all of a sudden, James Web comes along, and James
Speaker 1: Web is able to read at frequencies and translate that
Speaker 1: spectrum for us, and all of a sudden, what we
Speaker 1: thought didn't exist. There's something at these extended extremes of
Speaker 1: these frequencies that is there, and so is re defining
Speaker 1: our understanding of space, of what's out there in space,
Speaker 1: how space operates, and so if James Web could do this,
Speaker 1: why wouldn't our human bodies.
Speaker 4: Also be able to do this? Right?
Speaker 1: So we get so locked into the scientific mode of
Speaker 1: it's tangible when I actually tangible is just a minute
Speaker 1: example of what is around us. What is around us
Speaker 1: is more intangible.
Speaker 4: Than tangible, right right, right, And that's a really good
Speaker 4: segue actually, So as a family member, you know, what,
Speaker 4: what unique insights can you share about NGO's personality, work, ethic,
Speaker 4: or mindset that contributed to the groundbreaking work.
Speaker 1: Well, he is a virgo. His love lifelong passion is astrology.
Speaker 1: So if you know Virgos, you know they're very precise
Speaker 1: and very detail oriented, very demanding. He's also a rooster
Speaker 1: in the Chinese astrology, so he's very vibrant and likes
Speaker 1: to be the center of attention. And then you have
Speaker 1: this very precocious child that you know, for a good
Speaker 1: seven years was an only child and like doted on
Speaker 1: by everybody in the community until his sisters came along
Speaker 1: and kind of ruined that party for him. But you know,
Speaker 1: at least had a grounding in that, so he had
Speaker 1: a lot of things going for he was very you know, inquisitive,
Speaker 1: and of course he had, like I said, he had
Speaker 1: his grandmother to talk about, So even though he wasn't
Speaker 1: really sharing it, at least he had some sort of
Speaker 1: grounding that something else was out there. Even if he
Speaker 1: wasn't exploring it, he least kind of had an understanding
Speaker 1: of that. So I guess that from individual viewpoint, he
Speaker 1: had these very interesting confluence of personality traits and sort
Speaker 1: of how he viewed the world in inquisitiveness that kind
Speaker 1: of led him down that track, which is I think different.
Speaker 1: And of course because he's outside of society too. You
Speaker 1: know that I started outside of society and he just
Speaker 1: kind of even though it was suppressed, it's still inside
Speaker 1: of him that questioning of what is the proper way
Speaker 1: to go about living a life?
Speaker 4: Yeah, so how did we go from how does it
Speaker 4: go from Ingoswan having these abilities to the government taking notice?
Speaker 4: I guess that's so he must have been doing doing
Speaker 4: something that alerted that, like, hey, he might be a
Speaker 4: good candidate. So when did he or from your best
Speaker 4: recollection of the events, what what was he doing before
Speaker 4: the government contacted him? That maybe through the right flag up.
Speaker 1: Sure, so in the late nineteen sixties. So around sixty
Speaker 1: nine he began. He was very good, well, he was
Speaker 1: concerned what he hadn't Moniker, which was the psychic artist.
Speaker 1: So he after he left the army in the late
Speaker 1: nineteen fifties and he moved to New York, he wanted
Speaker 1: to be an artist. And so I'm going to sort
Speaker 1: of give some it's sort of a little long story
Speaker 1: if you did bear with me for a moment, Sorry
Speaker 1: to Dicrasp, but I do think. So he comes to
Speaker 1: New York to be an artist, and of course he's
Speaker 1: going to try to fit in with what everybody else
Speaker 1: is selling, which is sort of that Dolly Askue kind
Speaker 1: of surreal black and white kind of imagery. But he's
Speaker 1: just one of like ten thousand artists in New York.
Speaker 1: It's not like he's going to be any Nothing about
Speaker 1: him is unique or stands out. So he's struggling and
Speaker 1: he says, finally, you know what, I'm just going to
Speaker 1: paint when I want to paint, And so he starts
Speaker 1: painting what he sees the auras, the.
Speaker 4: Bubbles, entities, aspects of.
Speaker 1: Other realms, things of that nature. So not really a
Speaker 1: commercial success because his day job is at the United Nations.
Speaker 1: He's a secretary in the pr department at the United Nations.
Speaker 1: But he at least is painting the imagery, the coal imagery,
Speaker 1: the other realm imagery, the aura as the aura imagery that.
Speaker 4: He wants to paint.
Speaker 1: So he gains a reputation as the psychic artist. And
Speaker 1: he's really connected within the West Village, very bo So
Speaker 1: there's an undercurrent brewing in.
Speaker 4: The West Village.
Speaker 1: It's very connected to things of an other nature, so
Speaker 1: extrasensory type things, and he's always very connected with that community.
Speaker 1: And because he's connected to that community, it's at a
Speaker 1: party one day that a young couple now has a
Speaker 1: crillion camera right that can record auras, and they say, hey,
Speaker 1: let's go to a back room, let's close the curtain,
Speaker 1: and everybody think about an energy ball over your head
Speaker 1: and we'll see if we can photograph it. And so
Speaker 1: they all do, and when the film has developed, there's
Speaker 1: Ingo's the only one with a ball of light above
Speaker 1: his head, and that's when everybody goes, oh, you must
Speaker 1: be psychic, right, there's something about you that could create
Speaker 1: this energy above your head that we could then we
Speaker 1: could then photograph and because he's connected to this sort
Speaker 1: of underground extrasensory kind of movement that's happening, they put
Speaker 1: him in touch with very researchers and the first one
Speaker 1: is Cleve Baxter, and Cleve Baxter is known sort of
Speaker 1: as like the Primary is books on Primary Perception, but
Speaker 1: he's also known for doing those experiments with plants. So
Speaker 1: his first thing is he's been doing experiments himself. He's
Speaker 1: a former CIA interrogation specialist, is very much into sort
Speaker 1: of like hypno and narco interrogation is his specialty. But
Speaker 1: he's built his own kind of pseudo lie detector that
Speaker 1: he connects up to plants, and he's been doing experiments
Speaker 1: where he's thinking about harming the plants to see if
Speaker 1: they'll be sort of and he's hooked up as plants,
Speaker 1: so a reaction from the plants if there'll be some
Speaker 1: sort of on his machine. And he's able to do that,
Speaker 1: but he feels like, because he's both the experimenter and
Speaker 1: the participant, that that's probably not going to be very valid.
Speaker 4: So he is part of.
Speaker 1: This community that is connected with NGO and says, hey,
Speaker 1: why don't you come down, let's sort of try out
Speaker 1: you do this, and of course when Ingo does this,
Speaker 1: the plants respond immediately, and that is like thinking, I'm
Speaker 1: going to light a match and then set your leaf
Speaker 1: on fire, and the plants, the plants somehow they're read
Speaker 1: out to spikes until the plant figures out that Ingo's
Speaker 1: not really going to light a match, and you know,
Speaker 1: and then it kind of diminishes, which is kind of fascinating.
Speaker 1: So their studies are on plants on other bodily fluids,
Speaker 1: including blood, and Ingo is actually able to perturb the blood,
Speaker 1: and cleavebacks are being former quite possibly even still currently.
Speaker 1: CIA says, Hey, the boys down in Langley, they're going
Speaker 1: to be really interested about this. So I think he
Speaker 1: was already because of that, because he's able to perturb blood.
Speaker 4: I mean, that's pretty fascinating.
Speaker 1: Yeah, that's going to be pretty interesting to them because
Speaker 1: at this time the Soviets, their work in parasitecology has
Speaker 1: been on psychotronics, and psychotronics is the manipulating of some
Speaker 1: sort of something, primarily sensitive equipment, but also could it
Speaker 1: stop somebody's heart, could you set off a bomb? You know,
Speaker 1: the whole spectrum is really what they're working in. The
Speaker 1: CIA is obviously very concerned about what the Soviets are
Speaker 1: doing with psychotronics. So Inga's ability to manipulate something, it's
Speaker 1: going to be of interest to the CIA. So I
Speaker 1: think he was because of that, became on the CIA's radar.
Speaker 5: Right almost, So it's almost a psychic spy, right, or
Speaker 5: psychic warrior spy, at least from the CIA's perspective, right,
Speaker 5: if they're they're worried about what the Soviet Union's doing.
Speaker 4: Well, but we got to do it. We got to
Speaker 4: do it better.
Speaker 1: We have to do it better. Yeah. So he then
Speaker 1: goes on to work with doctor Gertrude Schmidler at the
Speaker 1: City College of New York, and her experiments are she's
Speaker 1: putting thermometers into sealed canisters and INGOs in a different
Speaker 1: room and she's saying what to do to each of
Speaker 1: the thermometers, and Ingo's able to do whatever it is,
Speaker 1: make the the monitor go up, make the thermometer go down,
Speaker 1: or do nothing. And again that's going to be very
Speaker 1: interesting to the CIA. You can affect some sort of change,
Speaker 1: right of a.
Speaker 4: Liquid sil candish right.
Speaker 1: But ultimately he then goes to the American Society for
Speaker 1: Cyclical Research the ASPR, where doctor Carlos Osis and Genet
Speaker 1: Lee Mitchell are doing out of body experiments and in
Speaker 1: that case, he's doing astral projection experiments to look at
Speaker 1: things and the shelf that's in a different room.
Speaker 4: And this is what he writes about in.
Speaker 1: His book Everybody's Guide to Naturally Speace, talking about those
Speaker 1: kind of experiments, and you know, ultimately the confluence of
Speaker 1: those psychokinesis experiments and his out of body experiments sort
Speaker 1: of create a pathway to where he's put in touch
Speaker 1: with doctor hal put Off at SRI and ultimately leaves
Speaker 1: has him leaving the ASPR because he gets fed up
Speaker 1: because his work he is one hundred percent accurate, and
Speaker 1: the board at the ASPR says, it's just impossible, nobody
Speaker 1: could be that good. There must be some fraud involved
Speaker 1: with that. And of course doctor Osis and Janetlee Mitchell
Speaker 1: and Ingo or Flabbery Acid like.
Speaker 4: There is no fraud.
Speaker 1: But here you a paracutsmer psychologist saying it's too good
Speaker 1: to be true, it can't be true. And that is
Speaker 1: very frustrating for NGO, and I think compels him really
Speaker 1: into doctor Putoff's arms, and he's going to Stanford Research
Speaker 1: Institute for psychokinesis not for out of body, for remote being,
Speaker 1: but to be able to manipulate sensitive equipment. Again, the
Speaker 1: Soviet with the race with the psycho kinesis is of
Speaker 1: paramount importance, and that's why he is at SRI and
Speaker 1: Uri Gellers is.
Speaker 4: Not far behind right when he gets there. Yeah, yeah,
Speaker 4: And there's the famous famous story from his uh work
Speaker 4: with the American Society of Psychical I was messed up
Speaker 4: the American Society of Psychical Research where he tells Uh,
Speaker 4: he says, there, I can't see anything but darkness, and
Speaker 4: You're like, you can't, you know, he can't do it,
Speaker 4: only to find out that when they went in the room,
Speaker 4: the light bulb had been out. So that's kind of
Speaker 4: really that story really sticks out and stands out, and
Speaker 4: then from there goes to Sri Help put Off. Help
Speaker 4: put Off is someone who I've been very interested in.
Speaker 4: I mean, I'm interested in all of them, Russell targ
Speaker 4: Edwin may Ingo and Pat Price and many of these
Speaker 4: people because they were on the inside of these programs,
Speaker 4: the programs right now that we're trying to get a
Speaker 4: hold of, and it just it fascinates me. So okay,
Speaker 4: so he meets how put off and from there where
Speaker 4: do we go?
Speaker 1: Yeah, so there are two things that happen. So so
Speaker 1: how says, I have this experiment for you. It's going
Speaker 1: to be a psychokinesis experiment. It's going to be in
Speaker 1: the Hall of Physics at Stanford University. There is a machine,
Speaker 1: it's called a Magni meter. It is looking for what
Speaker 1: I guess you would call it quarks or sort of
Speaker 1: like nanoparticles. It is trying to detect them, and it
Speaker 1: is buried under eight feet of cement and its design
Speaker 1: is classified. Yeah, and until that point, the line on
Speaker 1: the machine has been like this, I mean.
Speaker 4: Just study. So they have a good base.
Speaker 1: They know it's they know the design is not out there.
Speaker 1: No one knows what it looks like. And it's buried
Speaker 1: under eight ft dismounts. It's well shielded, and there are
Speaker 1: physics physicists around with machines monitoring it. So I think
Speaker 1: it's a very good experiment.
Speaker 4: Okay, ango, I'm gonna bring you there. You do your thing.
Speaker 4: That's basis.
Speaker 1: Do you do your thing? So Inga says, he actually
Speaker 1: just shifted his attention. So when you think of something
Speaker 1: like we use the word attention, right, attention is your energy.
Speaker 1: You think about it, I think about we pay attention,
Speaker 1: we give somebody our attention, we steal attention, we divide attention,
Speaker 1: we concentrate our attention. Right, all these things the way
Speaker 1: we use the word. But so fascinating. It actually is
Speaker 1: just putting attention on something, so putting his energy onto it,
Speaker 1: which he does.
Speaker 4: And when he does this.
Speaker 1: This little readout that's been like this starts Coach and
Speaker 1: as he's doing this, he starts to draw the design
Speaker 1: of this which then Ingo says that the physicist like
Speaker 1: one of them like runs out, tries to run out
Speaker 1: of the room and runs into a door. I mean,
Speaker 1: they're just so shot that not only is this machine reacting,
Speaker 1: but now he's drawing a classified piece of equipment what
Speaker 1: its design is. And at that point, how how's on
Speaker 1: the phone with the CIA right like we got him,
Speaker 1: We got we got it because SRI at this point,
Speaker 1: it is not the funding is you have to go
Speaker 1: get your own funding. Yes, this isn't This isn't like
Speaker 1: you there's a well spring of funds. You have to
Speaker 1: go fundraise your if you want to do work, you
Speaker 1: have to bring money. You're bringing money to the So
Speaker 1: of course anybody is going to be calling any potential
Speaker 1: funder that they can, and they know the CIA is
Speaker 1: going to be very interested in this. Now, keeping in
Speaker 1: mind that Russell Targ has said that just after this
Speaker 1: he has approached the he has been through a series
Speaker 1: of circumstances. This is an interview. He gave it to
Speaker 1: Richard Dolan, so it's you know, it's on YouTube. You
Speaker 1: could watch it where you're Ultimately, he meets a person
Speaker 1: by the name of Arthur Arts. Arts is short Reads,
Speaker 1: and Reads is an engineer with NASA, and Art brings
Speaker 1: says to Russell's pitching his ESP machine as an ESP
Speaker 1: teaching machine, and so Russell's looking for a way to
Speaker 1: get this funded and he he in Arts meet with
Speaker 1: the director of NASA. This is what Targ says, and
Speaker 1: Russell is very aware of their recent Apollo thirteen disaster,
Speaker 1: and they saying, hey, you know, instead of having people
Speaker 1: in space where something could blow up, I could help
Speaker 1: teach your pilots how to use equipment in space and
Speaker 1: on the Moon telepathically. And for some reason this is
Speaker 1: very appealing to NASA, and all of a sudden, a
Speaker 1: few weeks later, he's got dollars in hand with Art Reaches,
Speaker 1: his contract manager, and he shows up at SRI. So
Speaker 1: you have NGO working with hal on telecmeesis or psychokinesis experiments,
Speaker 1: and then you have targ showing up with NASA funding
Speaker 1: to teach people how to operate something in space, which
Speaker 1: I think is pretty fascinating. And shortly thereafter that's when
Speaker 1: ur A Geller comes on the scene. So it's a
Speaker 1: combination of the CIA funding and this funding from NASA
Speaker 1: for that first.
Speaker 4: Year, right, right, So isn't it interesting NASA? Yeah always,
Speaker 4: It never ceases to amaze me to hear how they're
Speaker 4: always involved yet you know, no nothing from them on anything.
Speaker 1: Yeah, yeah, so anything. So that after that first year,
Speaker 1: so in May of nineteen so that's the summer. So
Speaker 1: Ingo comes in the summer of nineteen seventy two, and
Speaker 1: in about the spring of nineteen seventy three, Ingo writes
Speaker 1: a letter to l Ron Hybrid Ingod had been studying
Speaker 1: scientology at that point, so Ingo is very interested in
Speaker 1: a lot of things. That was something that he explored.
Speaker 1: But you know, he had in the nineteen sixties, he
Speaker 1: had studied Alice Bailey's Artne school. He'd studied Rudolph Steiner
Speaker 1: with his his sort of theosophical bent on things, So
Speaker 1: he was very familiar with the occult, all the occult angles.
Speaker 4: He studied them, very interested in the Fourth Way. So
Speaker 4: every Eastern.
Speaker 1: Philosophy, every major religion, and so when Scientology comes on
Speaker 1: the scene, you know, it's kind of the thing that's
Speaker 1: kind of exploring the mystical stuff. So of course he's
Speaker 1: going to add this to us about So.
Speaker 4: Do you think that now had any influence on that?
Speaker 1: Oh? No, Ingo was already studying at Scientology before he
Speaker 1: went out to SORI, So he actually was studying and
Speaker 1: he left his job at the un and studied in
Speaker 1: Los Angeles doing all the high level courses in nineteen
Speaker 1: sixty nine, and he doesn't go to SRI until nineteen
Speaker 1: seventy two.
Speaker 4: Yeah, so you know, so.
Speaker 1: He manages to Anger's like an incredible networker. He manages
Speaker 1: to become very close with l Ron Hobbard's left hand
Speaker 1: and right hand. So two women, you know what, doing opposite,
Speaker 1: Virginia Downsborough and then an and another one, so they're
Speaker 1: they're very close to Alvin Hubard is very close with
Speaker 1: Elvin Hubbard, and in fact, he and Alvin Hubbard are
Speaker 1: sharing correspondences back and forth, you know, and and Hubbard's
Speaker 1: very supportive of Ingo's work at SRI. And so Ingo
Speaker 1: writes a letter in May of nineteen seventy three saying
Speaker 1: I have figured out one we're not alone on this planet.
Speaker 1: And two there is a deep seated control mechanism in place.
Speaker 4: So some sort of like we might call it the
Speaker 4: deep state. Deep state, Yeah, the deep.
Speaker 1: State that is that is working to create an unemployable, unproductive,
Speaker 1: uneducated majority and mind control and bioautomative.
Speaker 4: If only he could see yesterday.
Speaker 1: Right right, I mean exactly, this is nineteen seventy three,
Speaker 1: and I look at our society today and I go, wow,
Speaker 1: that did take long?
Speaker 4: Yeah, what he said, aged, well, yes, yes.
Speaker 1: So so shortly after a month after that letter to
Speaker 1: Howard Pat Price, another scientologist appears at sr and I
Speaker 1: think he's actually come to assist NGO with this. You know,
Speaker 1: we've discovered something. This is pretty major. There's there's something
Speaker 1: undercurrent that is really working against the development of the
Speaker 1: human consciousness in really trying to deride our individuality. Right,
Speaker 1: so my Price shows up and they and Price begins
Speaker 1: working on experiments with Ingo. Now Price is interestingly, I
Speaker 1: know he's going to hail to sort of like the
Speaker 1: gold standard. But Price was Price's work was often spotty
Speaker 1: and it was often inconsistent. And the contract monitor for
Speaker 1: the CIA, so the one who was sort of the CIA,
Speaker 1: the scientific sort of monitor watching the funding from the CIA,
Speaker 1: is reporting this back to see to Langley, and Langley's
Speaker 1: kind of concerned because he's either really really really really
Speaker 1: good or he's not really really really good. And there's
Speaker 1: ultimately this session where he does sort of this crane session.
Speaker 1: And so ken Krass, who is the handler for the CIA,
Speaker 1: has this work analyzed by two individuals. Somebody who can
Speaker 1: speak to the fact that is it geographically correct, as
Speaker 1: he got all the geographical aspects correct, and then someone
Speaker 1: who I've sort of identified is what I would call
Speaker 1: it a risk manager. Is there a possibility that this
Speaker 1: information is been acquired from other sources or is being
Speaker 1: leaked to other sources, So that kind of risk manager,
Speaker 1: and that risk manager looks at it and says, again,
Speaker 1: he's either really really good or he's not really really good.
Speaker 4: And he's not really good.
Speaker 1: When he is there at SRI but he seems really
Speaker 1: really good when he goes to his apartment and he
Speaker 1: can phone in this information, which then raises the question
Speaker 1: is he could he possibly be an asset for the KGB.
Speaker 4: Right, which is it's understandable, understandable. Yeah.
Speaker 1: So at that point the CIA comes in and the
Speaker 1: shuts down temporarily. The work at SRI with inga Ingo
Speaker 1: goes back to New York. Everything's on hiatus, and they
Speaker 1: move Price to a different handler, and Price moves to
Speaker 1: West Virginia's taking a job as the president of a
Speaker 1: coal mine. There seems to be some sort of scientology
Speaker 1: connection with this coal mine, not the owner of it,
Speaker 1: but somebody high.
Speaker 4: Up in it.
Speaker 1: And he begins work with sort of research and development
Speaker 1: with a new group. And this new group is fascinatingly
Speaker 1: sort of connected with an assassination group, and they're also
Speaker 1: connected with trying to figure out like, if if information
Speaker 1: has gotten out, how damaging could it be to us?
Speaker 1: That's this group, Like what is the level of risk
Speaker 1: to us of the information that is in other hands?
Speaker 1: And also trying to figure out, well, which hands did
Speaker 1: it get to and how is it getting in or out?
Speaker 4: That's the group he's working with.
Speaker 1: And he's working with them, I guess for these six
Speaker 1: six months or so before they say they're going to.
Speaker 4: Go operational with him.
Speaker 1: And I think what they're doing is they're not feeding
Speaker 1: him correct information. They're feeding him things to try to
Speaker 1: sort out what where are you getting this information and
Speaker 1: where it's going, you know.
Speaker 4: So they're trying to kind of reverse engineer.
Speaker 1: Him, like what has happened, Like where's the information going?
Speaker 1: And what kind of information are you getting? And it's
Speaker 1: one last meeting where they ask him and this isn't
Speaker 1: a declassified document. They ask him, you can work off
Speaker 1: of just coordinates, right, and he goes, well, coordinates are okay,
Speaker 1: but I really could use like photographs and more descriptions
Speaker 1: and detail. And I think that that may have been
Speaker 1: one of the things that sealed his fate. That meeting
Speaker 1: is in April, and he died. He died that July.
Speaker 1: But the second thing that's really fascinating in that transcript
Speaker 1: is he talks about an upcoming interview with the National
Speaker 1: Inquirer and he says it's just really about remote viewing
Speaker 1: and you know, non non classified information and just you know,
Speaker 1: psychic stuff and my work with scientology and whatnot. But
Speaker 1: if your follower Project eighty two hundred, you know that
Speaker 1: in this intervening time back in in In, you know,
Speaker 1: eight months prior, he had handed how put off a
Speaker 1: series of drawings and notes regarding underground UFO basis, which
Speaker 1: Ingo later in an art Bell interviewed, said Price called
Speaker 1: human extraterrestrial cooperation basis.
Speaker 4: So similar to what we've been hearing lately from say
Speaker 4: David Grush, that there's some sort of agreement that was
Speaker 4: made and that we are working with this non human intelligence.
Speaker 1: Yeah, yeah, yeah, so right, okay, very weird and yeah,
Speaker 1: so if you read Jackvelit's Forbidden Science two book, you
Speaker 1: know that during this time frame, Valet's trying to figure
Speaker 1: out is the US government working on UFOs and how
Speaker 1: it's just come back from a meeting in Washington. He
Speaker 1: and Halli is saying, while there are UFOs that are
Speaker 1: really extraterrestrial, and then there are things that are terrestrial
Speaker 1: in origin. So you know, we got some technology of
Speaker 1: some sort that we're developing. And then there's a program
Speaker 1: that is using my psychics so to figure these UFOs out,
Speaker 1: And my psychics would be Ngo and path Price. So
Speaker 1: we know that Ingo was involved and also remote viewing
Speaker 1: these you know, I think that if you kind of
Speaker 1: follow this narrative, I mean, in my interpretation anyway, is
Speaker 1: that National Enquirer interview Price may have strayed a little
Speaker 1: bit more from just remote viewing as a thing in
Speaker 1: scientology and maybe was a little frustrated and wanted to
Speaker 1: go into what we would called disclosure with the National Inquirer,
Speaker 1: and that ultimately may have been what his demise.
Speaker 4: Was, right, because we know now I'm not sure how
Speaker 4: many people know this, but the National Inquirer has with
Speaker 4: its roots. I think the person I don't remember his name,
Speaker 4: but there the person's father or someone was in the CIA,
Speaker 4: pretty sure, so this would have been a direct line essentially.
Speaker 1: Right, so they would have known if he was talking
Speaker 1: about something he shouldn't have been talking about. So, you know,
Speaker 1: I think ultimately that is what did him in, was
Speaker 1: that he may have just strayed a little bit too
Speaker 1: far into the realm that he shouldn't have. Where like
Speaker 1: Ingo and hallen Exer left off, this part is that
Speaker 1: after the programs shut down and Prices in West Virginia
Speaker 1: and Ingo's in New York and how still working on
Speaker 1: something else at Sri. Hubbard writes a letter to Inga
Speaker 1: and says that what you hal and Pat are working
Speaker 1: on is, you know, of the utmost importance. So this
Speaker 1: is in December, so they've been shut down for like
Speaker 1: six months. So clearly hal Ingo and Pat are still
Speaker 1: working on something.
Speaker 4: I believe that's disclosure of some sort.
Speaker 1: And Pat may have just gotten a little too ahead
Speaker 1: of the game, like frustrated, right, So the three of
Speaker 1: them may have had a game plan going and it's
Speaker 1: just monumentally difficult to go against a control system that
Speaker 1: doesn't want a narrative out and you know, or maybe
Speaker 1: just playing a little fast and loose with his information.
Speaker 4: Yeah, right, right, And you know that is a very
Speaker 4: interesting kind of question. Not it's not a question, but
Speaker 4: you know that following that train of thought, it makes
Speaker 4: complete sense by you know, Died. I don't want to
Speaker 4: say anything further than that, but that's you've shed some
Speaker 4: light on something for me, So thank you.
Speaker 1: Yeah, yeah, you have to sort of put the pieces together.
Speaker 1: It wasn't you know that he was this spy or
Speaker 1: that spy. It just I feel like they were working
Speaker 1: on something of importance that somebody didn't want anybody to
Speaker 1: know about. And they were in very treacherous they were
Speaker 1: in very treacherous territory. I mean, you kind of have
Speaker 1: to watch the disclosure movement just to know that in
Speaker 1: the nineteen seventies the intelligence community has this lockdown. They've
Speaker 1: had it locked down since the Robertson panel comes on
Speaker 1: this scene in the early nineteen fifties tells the CIA,
Speaker 1: here's the game plan. We're going to create a mass
Speaker 1: education program. We're going to use mass psychology, we're going
Speaker 1: to use the media. We're going to use movies, we're
Speaker 1: going to use programming. And then what.
Speaker 4: News mage means because at the time, you forget, yeah,
Speaker 4: you know, radio TV was super limited with three channels,
Speaker 4: four channels. Magazines they were they were that was celebrity
Speaker 4: gossip and and that kind of stuff and the juicy
Speaker 4: stuff that you know that that that it's like reality
Speaker 4: TV if it's day reality, you know, you know, so
Speaker 4: that's very interesting and and and if I'm I'm just
Speaker 4: gonna and now that I've already cut you off from
Speaker 4: your your your amazing story here, I just want to
Speaker 4: say that isn't it ironic too that after Roswell whatever
Speaker 4: happens at Roswell. If it's real, I think it is.
Speaker 4: Whatever happened there birthed the National Security Apparatus, so the
Speaker 4: CIA gets formed. So it's an it's my I at
Speaker 4: least believe that the the National Security, and the CIA,
Speaker 4: all these three letter agencies are pretty much birthed from
Speaker 4: the cover up and the attempt to cover up this information.
Speaker 4: So would it be their main goal to complete and
Speaker 4: control that narrative? I think so yeah, I.
Speaker 1: Mean, and so you have to understand that's the early fifties,
Speaker 1: So this is nineteen seventy, so they have twenty plus
Speaker 1: years of having this downpad. So you look at us
Speaker 1: seventy plus years later, do you think anything is really
Speaker 1: going to be different? You know That's why I kind
Speaker 1: of ultimately I came to the conclusion because you know,
Speaker 1: Ingo said, we're not alone on this planet. I said,
Speaker 1: I'm going to go on this journey. I'm going to
Speaker 1: go figure out what else is on this planet with us,
Speaker 1: And I document this in a book called Conjunction dot World,
Speaker 1: and ultimately came to the conclusion in that is Ingo saige.
Speaker 1: You know, if you follow the line of demons, it
Speaker 1: just brings you deeper into demonology.
Speaker 4: And I don't mean like evil entities.
Speaker 1: I just mean something that is you can't understand in
Speaker 1: something that is just like gnawing at you, and the
Speaker 1: more you try to try to unpackage it, the further
Speaker 1: you fall into that hole. Whereas what we should be
Speaker 1: doing is just, hey, I'm going to stop chasing you
Speaker 1: and trying to figure out you. Because Ingo said, we
Speaker 1: don't know who they are, we don't know what their
Speaker 1: agenda is, we don't know what they're.
Speaker 4: Doing with us.
Speaker 1: We have a very limited frame of reference that's been
Speaker 1: created for us. So what we should be working on
Speaker 1: is ourselves and enhancing ourselves because clearly they don't want
Speaker 1: us to enhance ourselves and that, but we should peel
Speaker 1: that away and work on that and work on developing
Speaker 1: telepathy so we can keep that message from coming in.
Speaker 1: And then this sort of something else, which you know,
Speaker 1: we were sort of talking about what Star Wars would
Speaker 1: call the force, how we can connect with us and
Speaker 1: develop our perceptual awareness SYS and enhance our intuition and
Speaker 1: our internal guides and our awareness and and perceive what
Speaker 1: is really there instead of what has been created for us.
Speaker 4: Right and and you know, it's it's it's really something
Speaker 4: that I have been again thinking about lately. And you
Speaker 4: know what, if the brain has developed these you know
Speaker 4: once you're when you're young and you're molded. You know,
Speaker 4: this is when you're molded by your parents. So if
Speaker 4: your parents have a very religious uh nature, you know
Speaker 4: you're gonna you'll you'll tend to follow that same path
Speaker 4: and see things, you know, in a similar way. Same
Speaker 4: as like the house I grew up not religious, I'm
Speaker 4: not very religious. You know, in this time that we're
Speaker 4: by our parents and the people around us, you know,
Speaker 4: we're kind of taught that the world is black and
Speaker 4: white and very mechanical, right years and what we talked
Speaker 4: about are things that we can see and not. Do
Speaker 4: you think that if that's the case, then the brain
Speaker 4: would develop in a way to only see the black
Speaker 4: and white, right because it only needs to see the
Speaker 4: black and white, but there are times when it needs more.
Speaker 4: So maybe this is what intuition is. Maybe this is
Speaker 4: what instinct is. Maybe this is what you know some
Speaker 4: of these telepathic or people who have visions, maybe that's
Speaker 4: what it is. Is they're picking up on the brain's
Speaker 4: picking up those senses that it has and it's throwing
Speaker 4: it to you, but you're not used to it, so
Speaker 4: we think it's a phenomenon. It's really just the brain's
Speaker 4: way of saying, you know, it can do much more.
Speaker 1: It could do much more, right, so you don't have
Speaker 1: you haven't built the pathways to interpret what this information.
Speaker 4: Is, right right. Yeah. I probably sounded like a crazy
Speaker 4: person right there, but I think you get where I'm
Speaker 4: coming from. Yeah, hard to talk about this kind of
Speaker 4: stuff like telepathy, psychic ability without kind of for me
Speaker 4: stumbling over my words because it's so new for me.
Speaker 4: And honestly, it it makes the field, makes the world
Speaker 4: feel a little bit more magical, and I just can't
Speaker 4: understand why more people don't want to see what's really there.
Speaker 1: Well, keeping in mind that along with this, you know,
Speaker 1: you talked about these these clandestine agencies being developed to
Speaker 1: control this narrative. You know, the other thing that they've
Speaker 1: been working on is mind control. They've been working on
Speaker 1: subliminal messaging. You know. I I after I started to
Speaker 1: sort of pay more attention to my environment, I was
Speaker 1: watching this. I was watching the movie about the dating
Speaker 1: show serial Killer. The serial killer that was on the
Speaker 1: dating show it's a new movie. And very early on
Speaker 1: I started to be like rooting for the serial killer,
Speaker 1: like rooting for him to kill people, and like, where
Speaker 1: is this feeling coming from? Oh my gosh, this is
Speaker 1: some subliminal thing that is happening where I am being
Speaker 1: bombarded with some sort of emotional content to root for
Speaker 1: something evil. Oh, I shut that off right away. And
Speaker 1: if it's it's as insidious as that, you can imagine
Speaker 1: the whole spectrum that is being just driven to us.
Speaker 4: Well, yeah, I've ever heard of the ghost frequency?
Speaker 1: What is the ghost frequency?
Speaker 4: Oh, you're gonna love this. So the ghost frequency is
Speaker 4: it's an infrasonic frequency of about between eighteen and nineteen herts.
Speaker 4: And some people think that it causes you to the ghosts. Okay,
Speaker 4: were using.
Speaker 1: So person person might have person gen Persinger's work.
Speaker 4: Yeah, yeah, so horror movies use this this a lot
Speaker 4: to subliminally scare you, to to get you into that
Speaker 4: that that state of mind, if you will. I think
Speaker 4: it's it's it's absolutely plausible that we are being influenced
Speaker 4: by media, especially when it's copy and paste media. Yeah, right, right,
Speaker 4: looking right.
Speaker 1: So the early MK ultra studies were really on hypnosis
Speaker 1: big part instead of little messaging, big part of drugs,
Speaker 1: but about a lot a lot of it was on
Speaker 1: like surgery, on temporal lobes and things like that. Until
Speaker 1: you didn't need to have you didn't need to torture anybody,
Speaker 1: You didn't need to use a lot of drugs and anybody.
Speaker 1: You could just subliminately send this message, these messages at
Speaker 1: frequencies like you're talking about. Think about now social media,
Speaker 1: where you're scrolling and when you're scrolling, you're kind of
Speaker 1: putting yourself into a little hypnotic trance, and how readily
Speaker 1: that information can then just be transmitted to you because
Speaker 1: of that.
Speaker 4: Yes, I want to talk about the moon. Okay, Ingo,
Speaker 4: I know, and I brought I was gaving this because
Speaker 4: I find this to be one of the most interesting
Speaker 4: topics that people are discussing it. But I don't think
Speaker 4: not enough that so Ingo famously said, I am not
Speaker 4: the first to see that we are not alone. So
Speaker 4: he was tasked to remote you the moon, so things
Speaker 4: like tracks on the moon, like from sort of tractors,
Speaker 4: and he saw humanoids doing work on the moon, essentially
Speaker 4: mining it. Can you tell us about this?
Speaker 1: Why can only tell you what is in his book
Speaker 1: Penetration that he talks about remote viewing the dark side
Speaker 1: of the Moon and seeing structures and domes and things
Speaker 1: of that nature. And it is just fascinating to comment
Speaker 1: that not long after his remote viewing session of the Moon,
Speaker 1: he was tasked to or he says, he's just sporadically,
Speaker 1: I think he was tasked with Harold Sherman to remote
Speaker 1: view Mars where he saw very similar things on Mars.
Speaker 1: And this is in the mid nineteen seventies, so yeah,
Speaker 1: he saw activity there. But he says, this.
Speaker 4: Is not new.
Speaker 1: Anybody with a telescope can see anomalies happening on the Moon,
Speaker 1: like strange lights and moving objects. This is and it's
Speaker 1: not just relegated to the dark side of the moon.
Speaker 1: Anybody with a telescope who takes time can see there's something,
Speaker 1: something's happening up.
Speaker 4: There, right, and it's just it's it's for me, like
Speaker 4: the the moon is an interesting subject because first off,
Speaker 4: it's tidal locked, so we only, like you said, there's
Speaker 4: a dark side, the side we don't see and the
Speaker 4: side that we do see, and that is interesting because
Speaker 4: we look around at other moons in the solar system,
Speaker 4: and they're not. They don't they're not. They're not doing that,
Speaker 4: nor are they perfectly this the perfect amount of distance
Speaker 4: away and sides to eclipse the sun perfectly. So there's
Speaker 4: a lot of strange things about our moon and could
Speaker 4: it be a satellite of some sort or you know,
Speaker 4: artificial even insight. Yeah, so Inga's Inga actually penetrations.
Speaker 1: His book Penetration is broken into three parts. The first
Speaker 1: part is you know, all his adventures, and the second
Speaker 1: part is on how the moon he believes is an
Speaker 1: artificial satellite purposely placed there right right, right right, and
Speaker 1: then the third is why we need to develop telepathy.
Speaker 4: Right.
Speaker 1: But you know, he makes the case that there's too many,
Speaker 1: as you just illuminated, too many strange coincidences, that market
Speaker 1: is unique compared to any other kind of orbitating celestial
Speaker 1: body that's considered a moon, to any other celestial body,
Speaker 1: which are they're more alike each other. And then you
Speaker 1: have this one anomally called our moon that just is
Speaker 1: perfectly done to create life on Earth. It creates and
Speaker 1: keeps life on Earth, which is so fascinating. And he
Speaker 1: also talks about it being a hollow body as well.
Speaker 4: Yes, and now so famously did the the experiment where
Speaker 4: they dropped. I don't know if what it was, but
Speaker 4: it was I.
Speaker 1: Think they under the lander that the landing equipment, yeah.
Speaker 4: Right right, and the moon rang like a bell like reverberation. No,
Speaker 4: I didn't actually ring like a bell, but it reverberated
Speaker 4: as if it were hollow. I did this for up
Speaker 4: to three hours, so you know. And then and then
Speaker 4: not to mention that there are religious texts that in
Speaker 4: some parts of the world that talk about a time
Speaker 4: before the moon and a time after the moon. So
Speaker 4: I just that is that's something I want to look
Speaker 4: more into, and I think everyone should look more into,
Speaker 4: because again it is it. It's like perfectly sized, it's
Speaker 4: perfect distance away, it does all everything. The chances of
Speaker 4: its existence are like one and a number that's incomprehensible
Speaker 4: to us, right, it's the odds of it being all
Speaker 4: of these things are just it's infinitesimally smile. So it
Speaker 4: intrigues me.
Speaker 1: It is I think Inngo we found in his archives
Speaker 1: this chapter on Mars that we put into that special edition,
Speaker 1: the updated special Edition and penetration, and I think what
Speaker 1: he would you know, obviously, he's not going to write
Speaker 1: something that's going to be censored, right, So the stories
Speaker 1: themselves are all allegories. But I think if he had
Speaker 1: actually been able to include Mars in this discussion of
Speaker 1: the Moon, it would have been a grander theory for
Speaker 1: him that there was something on Mars, there was some
Speaker 1: sort of holocaust on Mars that led to some sort
Speaker 1: of evacuation. But if you're Marson and you're coming to Earth,
Speaker 1: it's a radically different environment, right, that something's going to
Speaker 1: have to be reprogrammed or re engineered for you to
Speaker 1: be able to live on Earth or have some sort
Speaker 1: of population on Earth. And so I think I think
Speaker 1: this is me that he saw the Moon as some
Speaker 1: sort of station somehow related to Mars.
Speaker 4: It's that is that's amazing, because we see evidence that
Speaker 4: something happened that the huge scar across the Martian surface,
Speaker 4: something clearly happened there. And then we look at ourselves,
Speaker 4: look at just look in the mirror. Our bodies are
Speaker 4: are more in tune with the Martian day and night.
Speaker 4: We shed our you know, if you believe in the evolution,
Speaker 4: we shed our fur when we need pelts and furs
Speaker 4: in the winter. We have back problems, We're the only
Speaker 4: species to get sunburns, and all of these things start
Speaker 4: to add up and make you really wonder if we're
Speaker 4: not aliens ourselves.
Speaker 1: Well they do. There are many anthropologists cannot make the
Speaker 1: connection for how Homo sapiens just suddenly appeared. It's not
Speaker 1: just you know, a conspiracy, that's you know, anthropologists even
Speaker 1: struggle to explain how this happened. And so I think
Speaker 1: what we've lost is the ability to question right. It
Speaker 1: doesn't met you know, we might be wrong, we might
Speaker 1: be completely off base, but we are not allowed to
Speaker 1: question or deviate from the narrative. And I think that
Speaker 1: is what it's dangerous.
Speaker 4: And when you do, you're labeled a kook, you're discredited.
Speaker 4: We see, we saw this with David Grosh. Now David Grush,
Speaker 4: I only bring you upposite an example because he's, you know,
Speaker 4: someone who came forward as recently and they immediately tried
Speaker 4: to discredit him using his PTSD from being in a
Speaker 4: war zone, which I think is super sympathetic and just
Speaker 4: goes to show how dirty these people are. This deep
Speaker 4: date you know, whoever they are. And Daniel in a
Speaker 4: way Center for Why famously gave that speech who said
Speaker 4: that you know, there is uh, this deep state. They
Speaker 4: have their own ways of fundraising, their own army, their
Speaker 4: own navy, and their own agenda, and they operate above
Speaker 4: the law, you know. And and I think we really
Speaker 4: need to start looking and looking around us and seeing
Speaker 4: that we have been placed in some sort of societal prison.
Speaker 1: Uh.
Speaker 4: And it's been it seems like implanted on us. Yeah.
Speaker 1: I mean, if you if you, if your main goal
Speaker 1: is mind control, and that is what you have brought
Speaker 1: over with the Nazis. I mean, the Nazis started with it,
Speaker 1: and you've brought that over.
Speaker 4: Many of the scientists who.
Speaker 1: Came over with Operation pay per Clip were you know,
Speaker 1: doing mind control experiments in the concentration camp. And that's
Speaker 1: your foundation. You're going to do something with it.
Speaker 4: Yeah, You're going to do something with it. Yeah. Yeah.
Speaker 1: So so that is why I think it's important. I mean,
Speaker 1: what I ultimately did is I really don't dive much
Speaker 1: into social media, very cognizant about just don't even watch
Speaker 1: the news. Cognizant about movies. I mean, like I am
Speaker 1: down to just documentaries and comedy shows.
Speaker 4: Yea wow. Yeah, let me ask you a question. Yeah,
Speaker 4: you being who you are. Have you ever seen anything?
Speaker 1: Well, that's what I write about in my book. So
Speaker 1: I write about that I wanted to figure out. So
Speaker 1: I went to different places, oh where things of an
Speaker 1: anomalous phenomenon happen. And I talk about because there were
Speaker 1: things at three fifty seven Bowery, that's the building Ingo's
Speaker 1: building from the nineteen seventies, that there were a lot
Speaker 1: of entities at three fifty seven, And so I talk
Speaker 1: about that coming into contact with them because they were
Speaker 1: they played ango, you know, they did you when you
Speaker 1: open up and you start explanding your awareness and perceptual systems,
Speaker 1: you are going to run into things. He said that,
Speaker 1: And so it's very important to remember that we don't again,
Speaker 1: we don't know who they are, and a little bit
Speaker 1: of caution when interacting with these things might be prudent,
Speaker 1: right Like if you're going into a neighborhood you've never
Speaker 1: been in before, you might be a little like, Okay,
Speaker 1: I might need to know a little bit about more
Speaker 1: where I'm going into before I just start, you know,
Speaker 1: opening up my doors to everybody, because you don't know
Speaker 1: if everybody, if these things have our best interest in her,
Speaker 1: which I don't believe they do, right, So a little
Speaker 1: caution before doing that. But you are going to run
Speaker 1: into them. It's sort of like again the James Web.
Speaker 1: You're starting, You're going to start to see different things,
Speaker 1: but you don't really have a roadmap. It's like going
Speaker 1: into a jungle and you've never seen anything before. Like
Speaker 1: you want to touch everything, right, but you shouldn't touch everything.
Speaker 1: You should just maybe kind of sort out and examine
Speaker 1: it before interacting with it first. Yeah, So there were
Speaker 1: a lot of a lot of entities at three fifty seven,
Speaker 1: and I did go to places like Dudicola Rock in
Speaker 1: North Carolina, which is which has quite a history as
Speaker 1: being a portal. So I had experience with that. I
Speaker 1: had an inadvertent experience with a time slip.
Speaker 4: I didn't even know what was happening.
Speaker 1: I thought we were I was actually at an Easter
Speaker 1: brunch with my son and had this sort of time
Speaker 1: slip experience. We both thought we were hallucinating. Was just crazy.
Speaker 1: Things kept changing around it, the people kept changing around us.
Speaker 4: It was crazy. I talk about it. What is that?
Speaker 4: What I'm like missing time? That doesn't sound like missing time.
Speaker 1: It's not missing time. So what is fascinating is this.
Speaker 1: This location is called Mountain Lake Lodge. It's in southwestern Virginia,
Speaker 1: and what I discovered is the whole building is made
Speaker 1: of a sandstone with a lot of courts in it,
Speaker 1: and the ground beneath it has got layers and layers
Speaker 1: and layers of quarts. And there are those who are
Speaker 1: studying in geology. They're studying the effects of courts with
Speaker 1: what we would call sort of anomalous phenomenon, so as
Speaker 1: something that is able to record and hold memories, which
Speaker 1: is really fascinating. So a lot of times when you
Speaker 1: look at structures and people report ghosts. There was actually
Speaker 1: a really unique study that I found where a graduate
Speaker 1: student took like a ghost hunting show and you know,
Speaker 1: knowing that some of it is for entertainment, so a
Speaker 1: lot of it was maybe not made up, you know,
Speaker 1: made up and not real, but still kind of overlaid.
Speaker 1: Where they went with the geographical and geological makeup of
Speaker 1: that area and where there were high incidences were like
Speaker 1: where there were high levels of courts, and sort.
Speaker 4: Of theorizing that maybe what people.
Speaker 1: See as ghosts may just be sort of a replane
Speaker 1: of an energy, like some something traumatic happened that imprinted
Speaker 1: a huge amount of energy on the environment. And then
Speaker 1: people who are operating in a broader spectrum are then
Speaker 1: picking up this and it's replaying like a movie to them.
Speaker 4: Oh my god, right, you have no idea, how how weird?
Speaker 4: This just got yeah, and you'll holy shit. So so
Speaker 4: this is a theory that I've posed recently. I'm making
Speaker 4: a documentary myself a homemaker, and there's three places in
Speaker 4: Massachusetts where I live, Salem and h Dudley Road and
Speaker 4: the Bridgewater Triangle. All three are hot spots where these
Speaker 4: phenomena seem to converge. They all have courts and they
Speaker 4: all have these human atrocities. So the Bridge out A
Speaker 4: Triangle had King Phillip's War, Dudley Road had a lot
Speaker 4: of Native fighting, and then the Sale obviously has the
Speaker 4: Witch Trials. Uh. The title of the film is called
Speaker 4: Cursed Echoes because that's exactly what I think is happening.
Speaker 4: I think what people see as quote unquote ghosts is
Speaker 4: really just the land showing its memory.
Speaker 1: Yeah.
Speaker 4: Yeah, absolutely must define the theme of the documentary that
Speaker 4: I'm working on.
Speaker 1: Yeah, well, yeah, check out my criticity or yeah, it's great.
Speaker 1: So conjunction dot World. So I've put a lot. I've
Speaker 1: put that research paper on there and some other documents
Speaker 1: about stone memory theory. It's called stone memory theory. Really fascinating.
Speaker 1: So the way Angle explained it to me is like
Speaker 1: he said, there's no ghosts, right, there's no such thing
Speaker 1: as ghosts, because I've had an encounter in when I
Speaker 1: lived with.
Speaker 4: Him three times.
Speaker 1: So we talked about the first time, but the last
Speaker 1: time I was commuting to New York and I had
Speaker 1: an experience on a train where I just.
Speaker 4: Saw something repeat.
Speaker 1: And he explained it to me, as you know, like
Speaker 1: the same thing. There was some sort of energy trail,
Speaker 1: something happened that ignited some sort of entrapment of a
Speaker 1: loop of energy, and that's what we're seeing when we
Speaker 1: see ghosts, Like the same thing is like the same
Speaker 1: person walks down.
Speaker 4: The stairs, or it's the same knocking or whatever it
Speaker 4: might be.
Speaker 1: It is this kind of replaying of this energy loop
Speaker 1: that people are picking it so they're able the wider
Speaker 1: their spectrum, their frequency spectrum, they're operating like James Webb,
Speaker 1: They're going to pick up these memories that have been
Speaker 1: implanted in the land or in the stone for example
Speaker 1: with quartz.
Speaker 4: I think the.
Speaker 1: Researcher said also streams nearby were also could.
Speaker 4: Be attributed to it as well. That the aspect of it. Yeah,
Speaker 4: so you do believe there are hot spots hot spots.
Speaker 4: You probably coat there's something to do with energy and
Speaker 4: maybe you know different that could differ, you know, whether
Speaker 4: it's electromagnetic or you know, from different different spectrums. But
Speaker 4: something's different in these places than you know, just your
Speaker 4: average area that I don't know doesn't have this weird
Speaker 4: stuff going on the way we're stuff going on. Yeah.
Speaker 1: So so in terms of my time slip thing, the
Speaker 1: way I've come to understand it is that time moves differently,
Speaker 1: and the person is can interact with different time periods,
Speaker 1: not like radically different, but you know, like a few
Speaker 1: minutes or an hour.
Speaker 4: Something is happening.
Speaker 1: And that's what I feel happened to us is that
Speaker 1: the stone recorded these memories, and we were experiencing these
Speaker 1: memories different like it would go flip back and forth
Speaker 1: between when we were seeing the memories and then when
Speaker 1: we were seeing actual things happen, and it was just
Speaker 1: it was it's just really wacky. Like my son and
Speaker 1: I had different experiences and who we interacted with, And
Speaker 1: like I'd look over at a table and it would
Speaker 1: be six and then twenty minutes later it would be
Speaker 1: four people, and I'm like, what happened to the six people?
Speaker 1: So that were there, there was a family or you
Speaker 1: know that time just moved very interestingly. So I think
Speaker 1: there is a dynamic with time too that I don't
Speaker 1: quite understand.
Speaker 4: But yeah, right, and we all know that we see
Speaker 4: time as linear because that's how we experience it based value.
Speaker 4: But that is that's it's not real. It's it's not
Speaker 4: a real thing. It's something. It's it's a force, just
Speaker 4: like gravity is or you know space space time. Uh,
Speaker 4: there's something there, And I think I think that's that's
Speaker 4: very interesting. That's a very interesting experience. Yeah.
Speaker 1: Yeah, So with time and a portal and entities, and
Speaker 1: I went like looking for UFO and I feel like
Speaker 1: I called the division quest because I feel like everybody.
Speaker 4: Keeps looking for them.
Speaker 1: It's like their vision quest, and you never really get
Speaker 1: where you're wanting to go. But I did have some
Speaker 1: sort of vision quest experience and then ultimately sort of
Speaker 1: sort of like a strange magical encounter which I talk
Speaker 1: about that. I went to try to figure out what
Speaker 1: I was thinking was the land was the driver of
Speaker 1: these things, like you and your documentary right, that somehow
Speaker 1: the land was responsible for these things. Was so I
Speaker 1: was trying to go to places where the where things
Speaker 1: happened because of the land themselves. And I ended up
Speaker 1: in Pennsylvania, and I was thinking that I was going
Speaker 1: to go to one place, and before it opened, I
Speaker 1: was waiting in another place. And I didn't even realize
Speaker 1: that this was like a paranormal hotspot. Like the whole time,
Speaker 1: I didn't even realize it, which is which was fascinating.
Speaker 1: But I read an author who who said, people like
Speaker 1: to go to this location use Wiji boards.
Speaker 4: It's like an old cemetery.
Speaker 1: And he's like, people, they already have enough doorways into us,
Speaker 1: like using a Wigi boards, like just kicking a door
Speaker 1: open for them.
Speaker 4: You guys are like idiots.
Speaker 1: And I realized, oh that that was That was like
Speaker 1: what my vision quest of all this was. So yeah,
Speaker 1: so very different kind of experiences at each one of them.
Speaker 4: So you've had a quite a remarkable You've had quite
Speaker 4: a few of these experiences, ranging from all types of
Speaker 4: different phenomena which.
Speaker 1: Different types, And honestly, there was a part of me
Speaker 1: like was is this real?
Speaker 4: Could this be real? Sure? Like? Am I just imaginative?
Speaker 1: And I'm just like putting things together because that's how
Speaker 1: I want them to put together. And as I was
Speaker 1: finishing my book and thinking about the historical tidpits that
Speaker 1: I put in there, so that's a really fascinating section
Speaker 1: of the book which talks about like how I think
Speaker 1: the technology came, how the Nazis got to technology, and
Speaker 1: how I think we got it from the Nazis, our
Speaker 1: understanding of extraterrestrial and interdimensional entities and the history of
Speaker 1: a remote viewing, what have you. So I was really
Speaker 1: working on that and I went to my apartment's workout
Speaker 1: room really small, and I always just use the elliptical
Speaker 1: machines and they face a window, but the back of
Speaker 1: them is to like the room proper, right, and then
Speaker 1: there's a little workout bench work right right behind them,
Speaker 1: so your back is to anybody who's like coming into
Speaker 1: the room or anybody's in the room. And when I
Speaker 1: got to the room, I could see that there was
Speaker 1: a guy in there, and immediately I had these like
Speaker 1: huge bad vibes just everything was off, and I unfortunately
Speaker 1: attributed it to Okay, well there's a guy in there
Speaker 1: working out, right, it's small space, he's going to be
Speaker 1: behind me, he's got access to waights. You know, the
Speaker 1: things that you might put through your mind. Did he
Speaker 1: hit me over the head? Could something bad happen? No
Speaker 1: one's going to know. It's just an unsettling feeling. But
Speaker 1: it was really worse than that. But I pushed on, like, hey,
Speaker 1: he's just a guy working out. You just need to
Speaker 1: get over this going there and do judging him, right, yeah,
Speaker 1: Like why are you judging him? He's just in there
Speaker 1: doing his own workout. He's you know, obviously got in there.
Speaker 1: It's Keith had to get in there. So I started
Speaker 1: in immediately. So he was behind me to my left,
Speaker 1: like right behind me to my left, but immediately from
Speaker 1: my right I felt this force come it and I
Speaker 1: was like had my hand on like one of the handles,
Speaker 1: and I was like about to put my phone down,
Speaker 1: and it literally picked me up and I still see
Speaker 1: myself in the air, and it slammed me down and
Speaker 1: I landed like on my left side and on my
Speaker 1: and I was right underneath where he was working out
Speaker 1: and he never stopped, like lifting weights was like doing
Speaker 1: virus like these kind of things. And when that first stopped,
Speaker 1: even though like I knew, like the ground like my
Speaker 1: phone went flying, my earphone case went flying, I landed
Speaker 1: right underneath him and he never stopped, and I was like,
Speaker 1: oh my god, I think they're connected, Like this entity
Speaker 1: must be connected to him. Like something picked me up,
Speaker 1: and I just like like walked like crawling the floor
Speaker 1: and picked up all my stuff and like scrambled back
Speaker 1: up onto the the olliptical. I was like, you're not
Speaker 1: going to scare me, Like I am not going to
Speaker 1: be afraid of you. I'm not going to give in
Speaker 1: to this fear whatever it is. And I could feel
Speaker 1: the just negativity from that moment on, but like and
Speaker 1: I was in pain, but I just pressed on for
Speaker 1: twenty more minutes and then I laughed. But it was like,
Speaker 1: you are not going to be the boss of me
Speaker 1: in this situation. I know you're way more powerful than me.
Speaker 1: I get that because you picked me up, like you
Speaker 1: literally picked.
Speaker 4: Me up.
Speaker 1: And you slammed me down. And it was after that
Speaker 1: moment where I was like, it's actually real, but it's not.
Speaker 1: Oh yeah, I got out and I would go back
Speaker 1: because I was saying, I don't want you to.
Speaker 4: I don't want to be.
Speaker 1: Live in fear and I and I actually found so
Speaker 1: Ingo and I would many times go walking in the
Speaker 1: streets of New York and look for pennies and he
Speaker 1: was like, everybody discards pennies.
Speaker 4: And nobody keeps them.
Speaker 1: And we would come back with like lots of pennies.
Speaker 1: And he had a nice silver tray in his desk
Speaker 1: of like it was full of just pennies that you find.
Speaker 1: So after he passed away, I started to find pennies,
Speaker 1: you know, just at times, like encouraging times. If I
Speaker 1: was kind of down or thinking about something, I'd find
Speaker 1: a penny.
Speaker 4: But this is something that is happens to people sometimes.
Speaker 1: Yeah, yeah, so I'd find find coins. And I went
Speaker 1: into the workout room and there were two pennies right
Speaker 1: where I had been slammed down in the workout room.
Speaker 1: And I took a photo of this. So it's not
Speaker 1: like like that's a little.
Speaker 4: Strange, like that is different this one's actions where he Now,
Speaker 4: I know people are rude, but if a woman literally
Speaker 4: gets picked up and slammed, even if she just falls.
Speaker 4: I'm going to go and be like, are you okay?
Speaker 4: You know, you know, help up? You know, is there
Speaker 4: anything I can do called ambulance? You know, you would
Speaker 4: break routine. This guy just continues his it just kept going.
Speaker 4: He just kept going.
Speaker 1: And that's when I knew that they were maybe he
Speaker 1: was connected in some capacity to this thing, because there's
Speaker 1: just no way that, like your bench is on the ground,
Speaker 1: you're going to feel when there's some vibration on the
Speaker 1: ground that is hard because I keep down hard, never
Speaker 1: broke stride.
Speaker 4: And I'm just weird, so weird.
Speaker 1: Yeah, yeah, So I did it for I did it
Speaker 1: for a few months and then I just, you know
Speaker 1: that PSTD just kind of me like I still don't
Speaker 1: know what's behind me kind of thing. I think I'm
Speaker 1: just going to join a club where there's a lot
Speaker 1: of people and I can be around a lot of
Speaker 1: people because I can't continue to just always have it
Speaker 1: in the back of my mind that something could happen.
Speaker 1: I don't want to live like that. So no, I'm
Speaker 1: not going to stop working out, but I'm just going
Speaker 1: to be more cognizant of when I feel that something
Speaker 1: is not right in the environment. And I'm not going
Speaker 1: to attribute it. I'm not going to analyze it from
Speaker 1: my oh everything's okay kind of thing. I'm really going
Speaker 1: to listen to my gut. I'm really going to pay
Speaker 1: attention to when my body is speaking to me about
Speaker 1: something that's.
Speaker 4: Not right right and that, and that's something I think
Speaker 4: more people need to do. It's you know, people call it,
Speaker 4: you know, trust your gut and and all these things.
Speaker 4: We have these phrases, and it's like, guys, something there's
Speaker 4: something that's being told right with these kind of with
Speaker 4: this black and white world that we're sold, but the
Speaker 4: gray that we live in, right, there's there's the difference.
Speaker 4: So you you you, that's a really odd experience to
Speaker 4: be in gray. You can pick up and slam down
Speaker 4: by an invisible force, start asking yourself what the fuck
Speaker 4: is going on?
Speaker 1: But something is there?
Speaker 4: Right?
Speaker 1: And so for me, when you think you hear these
Speaker 1: abduction cases, yeah, I absolutely one hundred believe them where
Speaker 1: something physical happens to them. I saw it because it
Speaker 1: happened to me. But I was present in my body.
Speaker 1: I was always conscious. There was never sort of an
Speaker 1: intervening period where I lost time or wasn't aware of anything,
Speaker 1: so I figure, if something can interact with me, and
Speaker 1: it wasn't the first time. My first story is in
Speaker 1: the book, I do talk about interacting with something that
Speaker 1: I later figured out was an entity.
Speaker 4: I mean it interacted with me like a human. It
Speaker 4: handed me a piece of paper, so it was able to.
Speaker 1: Materialize in hand me something I thought it was a
Speaker 1: human being.
Speaker 4: It this thing showed up in.
Speaker 1: A car, it got out of the car, and it
Speaker 1: interacted with me. So I obviously know that they are
Speaker 1: very good at mimicking humans.
Speaker 4: There's always something that's off.
Speaker 1: Something that's off, like for this individual was very very tall,
Speaker 1: but he was mistressed like things from different decades, and
Speaker 1: it waddled like he like he was like very athletic,
Speaker 1: and I was like, oh, this guy looks, you know,
Speaker 1: like he might like go on the a walk with
Speaker 1: us kind of thing, until he waddled, and then I
Speaker 1: was like, that's not normal.
Speaker 4: There's something not normal about this.
Speaker 1: But again I was in a situation where I was
Speaker 1: more afraid that you know, we were in a in
Speaker 1: an isolated spot and had we come across something maybe
Speaker 1: we shouldn't be a part of, like is human trafficking
Speaker 1: offering is or is there some like drug trade going on?
Speaker 1: Are we in somebody's territory? All those kind of analytical
Speaker 1: things that you pushed for. So I wasn't even thinking paranormal.
Speaker 1: So I recognize they can interact with us. They can
Speaker 1: manipulate things in our environment, and they can manipulate us,
Speaker 1: which gives a lot to me, a lot of credence
Speaker 1: to the stories of abductees.
Speaker 4: Right, And I want to ask you something. Yeah, a
Speaker 4: lot of now, a lot of what you just talked
Speaker 4: about sounds demonic. Do you think that there's that that
Speaker 4: we need to know how to separate that there's a
Speaker 4: fine line between aliens and demons? Right, at least in
Speaker 4: my mind, they're they're separate things. But is it are they?
Speaker 1: You know what I came to a conclusion of, right
Speaker 1: is the way I've come to understand it because I
Speaker 1: had a lot of help too, Like things just came
Speaker 1: together in the right way, or those pennies were there,
Speaker 1: or you know, I feel like, is there good in
Speaker 1: the world?
Speaker 4: Is it helping you? Is there evil in the world?
Speaker 1: Is it against you? In the way I've kind of
Speaker 1: like articulated, is you know the Hunger Games makes the
Speaker 1: movie The Hunger Games, and you know that there they
Speaker 1: send these two people from each section to go compete
Speaker 1: and they have to kill each other, right, and the
Speaker 1: victors are the one the boy and the girl who
Speaker 1: are left right. And but during that time, sponsors send
Speaker 1: things like medicine or extra weapons, right, right. So imagine
Speaker 1: if you're in the Hunger Games arena and it's all manipulated, right,
Speaker 1: The arena is manipulated.
Speaker 4: Everything is staged.
Speaker 1: Everything is staged. But imagine and they know they're there.
Speaker 1: But imagine if you're in the arena and you don't
Speaker 1: know it's an arena and something you get hurt, and
Speaker 1: this medicine floats down to you. In that moment, you
Speaker 1: might perceive it as good, right, and but not realizing
Speaker 1: the sponsors sent it to you because they have money.
Speaker 1: They've waged money on you, so they've sent it to
Speaker 1: you so that you could win because they could win money.
Speaker 1: So yes, is it good for you and that immediate?
Speaker 1: But are they ultimately good?
Speaker 4: WHOA?
Speaker 1: Right?
Speaker 4: That just painted a really really vivid image in my
Speaker 4: head because that's WHOA like. Are we Have you ever
Speaker 4: taken this? Have you ever thought about that? Are we
Speaker 4: in some sort of simulation is that it makes sense,
Speaker 4: like are are so? Yeah?
Speaker 1: So yes, it's good.
Speaker 4: It's good in that immediate sense.
Speaker 1: So you know, Ingo said he believed there were like
Speaker 1: two fractions. John Keiola said the same thing many early. Gosh,
Speaker 1: Charles Ford said the same thing, like we're you when
Speaker 1: we're living in a farm. There are different entities that
Speaker 1: have different agendas. We don't know what you know, again,
Speaker 1: we don't know what their agenda is.
Speaker 4: So can I quantify it as good? I don't know.
Speaker 1: I don't have the full spectrum. Can I quantify it
Speaker 1: as evil? Again, you don't have the full spectrum. But
Speaker 1: I know that in that moment, good happens and in
Speaker 1: certain moments evil happens.
Speaker 4: Yeah, which could be why our ancestors and you know,
Speaker 4: they called it religion, angels and demons, but we call
Speaker 4: it aliens or extraterrestrials non human intelligence. Right, So just
Speaker 4: kind of like we're jock relays where the name kind
Speaker 4: of just changes throughout the ages, and it kind of
Speaker 4: I mean, if you look at our technologically technological advancement,
Speaker 4: it kind of coincides with that. So it's what best
Speaker 4: it's how we can best put words to the phenomena.
Speaker 1: That sure, sure so yeah, so when I looked at
Speaker 1: you coolorac, and I and that it's a Cherokee, it's
Speaker 1: a Cherokee reservation, it's it's a Cherokee, it's a Cherokee artifact.
Speaker 1: But the Cherokee say it was there before they even
Speaker 1: came into the area. The legend is that this this
Speaker 1: giant would use a portal to come into the Cherokee
Speaker 1: land and and took one of their people to be
Speaker 1: his bride. And the brother of this girl followed Judahcola
Speaker 1: and tried to take her back and was killed by Judahcola.
Speaker 1: But if you look at these early legends, right, miss legends,
Speaker 1: fairies the gin in Islamic tradition, and a lot of
Speaker 1: these entities, they talk about needing brides or husbands, and
Speaker 1: how they take children to be their their spouses and
Speaker 1: to create children. And then you look at modern abductees
Speaker 1: and they're saying, well, my, you know, my bottomed bodily
Speaker 1: fluids in that capacity or taken from me. We categorize
Speaker 1: it as aliens on a spaceship. Others categorize it as
Speaker 1: fairies taking them. So to me, the storyline hasn't changed what.
Speaker 4: What they look like has changed the descriptors the descriptors
Speaker 4: of them. So that's that's very interesting. I mean, that's
Speaker 4: that's kind of why I think happened, or or that's
Speaker 4: the best way to I think contextualize it. I want
Speaker 4: to ask you something, though, did Ingo ever tell you
Speaker 4: anything that I don't know? Maybe was too sensitive and
Speaker 4: that you can't or are Maybe he was too scared
Speaker 4: to say, Uh, was there anything? Did he ever see
Speaker 4: anything that was that that that hasn't been spoken about
Speaker 4: in his books?
Speaker 1: Sure? I think I think if you what Ingo did
Speaker 1: was Ingo taught me how to research things and how
Speaker 1: to put things together. So he would say, if you
Speaker 1: read in the paper about an earthquake, you forget that
Speaker 1: six months later there was a you know, if there's
Speaker 1: another earthquake, you forget about this one six months earlier.
Speaker 1: But if you cut it out and you put it
Speaker 1: in a folder, and you start putting all the earthquakes together,
Speaker 1: you'll start to see a pattern. You'll start to recognize something.
Speaker 1: So he taught me how to look at information and
Speaker 1: recognize patterns and see that sometimes information is covered in
Speaker 1: some way, and how to like investigate it right. So
Speaker 1: if you look at his remote Viewing the Real Story,
Speaker 1: Remote Viewing the Real Story, his book Starfire and horse Penetration,
Speaker 1: all of these in some capacity, I think our disclosure documents.
Speaker 1: But of course he's not going to be able to
Speaker 1: tell outright, so he gives us lots of clues about it.
Speaker 1: And so what he taught me was how to go
Speaker 1: about solving this clues. But also because I've read I
Speaker 1: have access to a lot of his materials read Retter material,
Speaker 1: not necessarily in the public domain, but maybe in his
Speaker 1: archives and separate from that, and know where he's been
Speaker 1: quoted in other places he's written documents, I'm able to
Speaker 1: go to those and I can use those as some
Speaker 1: sort of cipher and on package actually what he's talking about.
Speaker 1: And I'll give you an example. I've posted this on
Speaker 1: X recently. So in his story about the supermarket, and
Speaker 1: he's with another psychic call yeah Conrad, and he says,
Speaker 1: I'm staying in the house of Conrad. I'm staying at it.
Speaker 1: I'm staying in his house. Like, well, that's not an
Speaker 1: enacting reviews, you're not staying in somebody's house. But that's
Speaker 1: a very simple, right I'm not staying in somebody's house.
Speaker 1: You're staying with somebody or at.
Speaker 4: Their house, at their house.
Speaker 1: So I said, well, what is what is in houses?
Speaker 1: And I know he's an astrologer. Well, when planets are
Speaker 1: in houses, that's in astrology terms, So planets are in houses,
Speaker 1: that is a description of somebody's personality and experiences. So
Speaker 1: understanding the placement of a planet in a house is
Speaker 1: going to unlock some description of them as an individual
Speaker 1: in their experiences. So immediately following that, he gives us
Speaker 1: descriptions of Conrad. So I'm going to give you descriptions
Speaker 1: of Conrad. Now you take that and you can put
Speaker 1: it against something and you'll figure out who Conrad is.
Speaker 4: Wow.
Speaker 1: Right, Simple things like that, that's right or or you know.
Speaker 1: He says in Penetration, I got this signal, and it's in.
Speaker 1: The signal came three months later. So I got this
Speaker 1: signal in in he was like June and three months
Speaker 1: later would be the Fall. And the next chapter he says,
Speaker 1: in July the signal came, Well, July isn't three months
Speaker 1: So he's giving us like really kind of obvious things
Speaker 1: but hidden in a way that we're reading it with
Speaker 1: the subtext, you'll be able to kind of start to say, question, Hey,
Speaker 1: if we're if they're flying to Alaska in the middle
Speaker 1: of the summer and they arrive at nighttime, Well that
Speaker 1: can't be because Alaska in the summer is in potential
Speaker 1: perpetual daylight.
Speaker 4: Right.
Speaker 1: So right, so he's giving us little clues along the way.
Speaker 1: But of course everybody loves everybody loves the stories of
Speaker 1: penetration because it's palatable. Oh, it's just a crazy He's
Speaker 1: sexy alien in the supermarket, right, Like, how you know,
Speaker 1: how can you trust what he says? He's like, see
Speaker 1: some sexy alien in the supermarket? Well, what does he
Speaker 1: say in the supermarket? I turned around so I could
Speaker 1: see the front.
Speaker 4: So what do you think that means?
Speaker 1: Oh, he's not looking at a sexy woman in the supermarket.
Speaker 1: He's somewhere where he needs to get around whatever in
Speaker 1: blocking him, and he needs to see the front of it.
Speaker 4: Yeah what. Wow, that's a that's quite a trip because
Speaker 4: that means I mean I'd have to go back and
Speaker 4: start relooking at everything and everything and everything.
Speaker 1: Yeah. So so I think that's spectacularly crafty of him.
Speaker 4: He's kind of leaving codes. You know, I can't say
Speaker 4: it at face val, I can't say it like you
Speaker 4: said at face value to a podium and say this
Speaker 4: is what's going on. But here's my way of telling
Speaker 4: you read between the lines, right.
Speaker 1: And so here and so can you imagine how how
Speaker 1: sad and frustrating it must have been for him to
Speaker 1: write these stories and then everybody believes the stories, and
Speaker 1: and he has to stick to those stories. Because he's
Speaker 1: written these stories, he can't tell you all it's just
Speaker 1: an allegory, and so now he has to support it.
Speaker 1: I mean, how how like just.
Speaker 4: Sad?
Speaker 1: I can't even find a word like how sad for
Speaker 1: him to be Like I tried to write this so
Speaker 1: you guys would figure it out, and now you guys
Speaker 1: are doing is like tell me all about the sexy alien, so.
Speaker 4: You're look wrong aspect of aspects, like somebody, somebody figure
Speaker 4: out this.
Speaker 1: But in the meantime, I got to support this because
Speaker 1: this is what I wrote. Otherwise you know I'm going
Speaker 1: to end up like Price.
Speaker 4: Right right, But again, and it's also a way to
Speaker 4: weed out those who are in it for the wrong reasons,
Speaker 4: who want the information for the wrong reasons. If you're
Speaker 4: just focused on, well, what did the extra sexy, extra
Speaker 4: chrest feel look like? You know that? Oh you're clearly
Speaker 4: not grasping the whole the whole story, the story. Yeah
Speaker 4: you shouldn't know.
Speaker 1: Yeah, yeah, so yeah, so I try to see so
Speaker 1: part of me know because I've seen his own whole
Speaker 1: art catalog too, Like I know that when he's like
Speaker 1: she's in a this bikini looking not like a halter
Speaker 1: top that's with yellow and pink polka dots, it's actually
Speaker 1: a motif that he used in a lot of his paintings,
Speaker 1: and I recognize that he must have said that for
Speaker 1: a reason, and like polka dots is just as the
Speaker 1: history of polka dots comes from rock art in South
Speaker 1: Africa or used to designate supernatural potency or some sort
Speaker 1: of like shamanic possession, like some entities coming through and
Speaker 1: that's it's portrayed, and rock art is pokonts. Yeah, dangerous,
Speaker 1: very dangerous, I would say, dangerous situations. Yeah.
Speaker 4: So do you think that that your path or our
Speaker 4: paths are I don't know, I don't want to say predetermined,
Speaker 4: But do you think that you're always meant to kind
Speaker 4: of be who you are and I who I am. Yeah,
Speaker 4: that's a tough question.
Speaker 1: I mean, Ingo tackles that sort of in your no
Speaker 1: Stradamis factor because you said, well, clearly a future must
Speaker 1: exist if we're able to perceive it, right, But does
Speaker 1: it also mean we can change our path our past?
Speaker 1: Like for people who have premonitions, there are those who
Speaker 1: act on it and alter that course. So that he
Speaker 1: talks about the Titanic being a good example, but quite
Speaker 1: a few people had documented premonitions. Some of them acted
Speaker 1: on it and canceled their tickets, some ignored it.
Speaker 4: And went on.
Speaker 1: So, you know, was it always meant to be that
Speaker 1: they would ignore it or that.
Speaker 4: I don't know.
Speaker 1: I don't know, but it seems that there must be
Speaker 1: some hints of a possible future that maybe we are
Speaker 1: able to take advantage of if we listened to.
Speaker 4: It, if we listened to it to it, Yeah, trust
Speaker 4: your gut. Yeah, I always say, because the same thing
Speaker 4: happened with things like you know, nine to eleven. There's
Speaker 4: a lot of people who had visions of planes crashing
Speaker 4: and then didn't get on their flights or change their
Speaker 4: flight or whatever for whatever reason, changed their stay. All
Speaker 4: these different stories and that's maybe a more modern example
Speaker 4: the Titanic, but it allows us to you know, I
Speaker 4: mean nine to eleven happy. When I was a kid,
Speaker 4: I remember it. So these witnesses are still here to
Speaker 4: this day that we can talk to. And many people
Speaker 4: had premonitions or gut feelings leading up to that event.
Speaker 4: So I think that's powerful. It is powerful.
Speaker 1: I watched a show called The Missing.
Speaker 4: Something like that. It had like several seasons.
Speaker 1: I was thirty nine shows in. In every single show,
Speaker 1: somebody related to the missing person says, and sometimes it's
Speaker 1: a police officer. I had a bad feeling. I knew
Speaker 1: deep down in my bones.
Speaker 4: I knew in my.
Speaker 1: Gut something was wrong. Every single person. None of these
Speaker 1: people say they're psychic. None of these people were saying
Speaker 1: that they had some future seeing ability or telepathically linked
Speaker 1: with the person. They're just articulating some sort of feeling
Speaker 1: that they had about something with the missing person.
Speaker 4: Right, It's almost like it's almost like entanglement. Yeah, right,
Speaker 4: you become There's the same thing that when two or
Speaker 4: more particles are are entangled, no matter how much time
Speaker 4: space or distances in between them. Uh, you know, one
Speaker 4: action for one action. So it's almost like our consciousnesses
Speaker 4: are becoming entangled and we get these feelings or some
Speaker 4: degree of that, which is is really interesting because that
Speaker 4: that that that, like we talked about earlier, trust your gut, uh,
Speaker 4: the instincts, Where do these come from? If not our
Speaker 4: brain having the ability to pick up on things that
Speaker 4: we can't see, feel or touch usually, but our brains
Speaker 4: may be more aware of our our are true, we
Speaker 4: know that we only see like a little bit of
Speaker 4: a light spectrum, and there's a whole huge amount that
Speaker 4: we don't see. So what's to say that there is
Speaker 4: not more than that?
Speaker 1: There's more than that. And Ingo would say that that
Speaker 1: intuition part actually is before our thinking. Like some people
Speaker 1: talk about that their bodies just stop like something stops them.
Speaker 1: But it's not even an intellectual process. It is in
Speaker 1: just your body immediately taking some action of some sort,
Speaker 1: like not stepping off a curb, like when the light
Speaker 1: changes and then the car comes. And so there's something
Speaker 1: that is in our bodies, not even our mind, that
Speaker 1: is interacting with us to keep us from doing this.
Speaker 1: Something in stinctual is hard wired, hardwired in us.
Speaker 4: Yeah, do you think it's interacting with us? And our
Speaker 4: environment around us.
Speaker 1: And somehow picking up on it.
Speaker 4: Some big read that. Yeah, I've had that kind of
Speaker 4: experience where I remember I was driving and it was
Speaker 4: I was having a company van and I was on
Speaker 4: the highway and I was going you know, seventy and
Speaker 4: the highway was clear, and I remember looking up into
Speaker 4: or maybe looking down at the radio to change it,
Speaker 4: and something told me to like snap and look up.
Speaker 4: And as I did, traffic had come to like a
Speaker 4: grind hole really quick, and I just avoided this car
Speaker 4: that dead stopped and maybe saved my life. It wasn't
Speaker 4: like you said, intellectual, It was my body just literally
Speaker 4: did it as if it was like it's sense. The
Speaker 4: danger was there. I had to pull off the id
Speaker 4: to get off the highway, pull the car over, and
Speaker 4: I got out and like touched the ground. I was shaking. Yeah,
Speaker 4: I took over.
Speaker 1: Yeah, that's something takes over, right, And it's not an
Speaker 1: intellectual like because you're not even processing. You're looking down,
Speaker 1: so you're not processing intellectually what's in front of you
Speaker 1: in the road.
Speaker 4: Right, Some a a guardian angel or guide guiding entathy.
Speaker 4: So I find that to be intriguing. What what would
Speaker 4: you say, I wonder, we only have a couple more
Speaker 4: minutes left. But what would you say to someone who
Speaker 4: is looking into Ingo Swan's life and and maybe he
Speaker 4: wants to become a remote viewer or thinks they have
Speaker 4: some sort of ability, uh that that is similar. What
Speaker 4: would you say to that well looking into Ingo's life.
Speaker 1: I mean the website ingoswan dot com has got a
Speaker 1: lot of great information on it in terms of NGO's life.
Speaker 1: I think Ingo would would say, start by racking becoming aware.
Speaker 1: So first you have to break out of this what
Speaker 1: you called reality box, of this prison, these frames of references,
Speaker 1: So you can't do anything unless you believe it is possible.
Speaker 1: So that that kind of faith element, which I think
Speaker 1: is pretty fascinating, that you have to ultimately come to
Speaker 1: a spot where you believe. So you have to understand
Speaker 1: that we have awareness systems and perpetual and perceptional systems
Speaker 1: that are much grander than were led to believe. And
Speaker 1: I think it just becomes starting to listen to yourself.
Speaker 4: Now, you know, remote viewing.
Speaker 1: As a technique, what Ingo taught to army intelligence individuals
Speaker 1: is very different than what you find in the environment today.
Speaker 1: You know, contact is very post is very much a
Speaker 1: part of the equation, and that was something NGO worked
Speaker 1: very hard to avoid. You know, again, he didn't feel
Speaker 1: like they were in our best interests. He did like, again,
Speaker 1: we don't know their agenda, we don't know who they are.
Speaker 1: We don't need their help. We have these abilities internally,
Speaker 1: we can tap into these abilities internally. And in fact,
Speaker 1: when we created the protocols for controlled remote viewing, he
Speaker 1: did it as an intellectual process to prevent anything from
Speaker 1: coming in or relying on anything outside. But everybody has
Speaker 1: to ultimately choose their own path. He said. The most
Speaker 1: important experience is firsthand experience is adamantly against what he'd
Speaker 1: call like armchair intellectualism. So like secondhand experience, saying, we
Speaker 1: will decide that we will believe people who just have
Speaker 1: an opinion on something rather than the people who actually
Speaker 1: experience it, and that is a very sad state, you know. Like,
Speaker 1: like you said, if you want to know what's in
Speaker 1: the envelope, open the envelope. Know that, just like going
Speaker 1: into a jungle, there's a lot of things you might
Speaker 1: not have a framework reference for, and being attuned to
Speaker 1: that I think is very important. And like I said,
Speaker 1: you know, his thing is tapping into this interconnectedness of
Speaker 1: all of us and recognizing reck to start by recognizing
Speaker 1: we're extraordinary. We're an extraordinary species.
Speaker 4: Right, absolutely, absolutely? And how can people? How can people
Speaker 4: keep up with what you're doing? So in all of
Speaker 4: your work.
Speaker 1: Yeah, so I have an on X on the platform
Speaker 1: X at estate Ingoswan. I started in Instagram at a
Speaker 1: state Ngoswan official and then a YouTube channel along the same.
Speaker 1: So what I'm doing currently is I'm taking his superpowers
Speaker 1: of the biolind essays. He put those all up free.
Speaker 1: I've they're in as one big conglomerate on the Ngoswan website,
Speaker 1: but also by topic too, They're broken out by topic.
Speaker 1: So I'm taking them. I've founded a generative AI platform
Speaker 1: and I'm just taking paragraphs and I'm putting them into
Speaker 1: this generative AI and creating two to four minute videos
Speaker 1: and posting them on YouTube.
Speaker 4: That's amazing. That's that's absolutely amazing. So I'll put all
Speaker 4: of those links and the description for this video below, guys,
Speaker 4: and for the podcast anyone who's just listening, actually most
Speaker 4: of my audience. So what am I saying? I should
Speaker 4: be towards so last last question, if you had to
Speaker 4: describe them going three words, what would they be?
Speaker 1: Iigmatic and so an enigma.
Speaker 4: An enigma would be one congenial and determined. Okay, all right,
Speaker 4: I love that. I love that. Thank you so much
Speaker 4: for coming out today. I really really this is so fun. Yeah,
Speaker 4: it was fun. Thank you.
Speaker 1: Thank you for letting me share Ngo and NGO's stories
Speaker 1: and Ingo's message for humanity. I think that's very important,
Speaker 1: and so I appreciate the platform that you're you're giving
Speaker 1: giving me and for your listeners too well.
Speaker 4: I would very much love to have have more conversations
Speaker 4: about Ingo's work, maybe go into certain certain topics like
Speaker 4: you said, and I will definitely keep people up to
Speaker 4: date with what you're doing and point them in that direction,
Speaker 4: especially because I get a lot of people that you know, uh,
Speaker 4: you know, I want to I think I have this
Speaker 4: ability or I want to be a remote view or
Speaker 4: what do I do? So I like to be able
Speaker 4: to point people in the right direction. So thank you
Speaker 4: so much Ellie for coming on. Thank you for the
Speaker 4: work that you're doing. And you're to mister Ingo Sman
Speaker 4: and what he has left us. All right, well you too,
Speaker 4: same Thank you all right, everyone and watching. Thank you
Speaker 4: so much. You guys are the lifeblood of what we
Speaker 4: do here, and I wouldn't be able to do this
Speaker 4: UH this work and get amazing guests on here if
Speaker 4: it wasn't for for everybody who supports and UH engages.
Speaker 4: So thank you so much. We'll see you next time. Tonight,
Speaker 4: I'm having Ron James on the show live as well
Speaker 4: as next week. I think we'll be recording with Chris Bloods,
Speaker 4: so that should be fun. Keep your eyes to this guy,
Speaker 4: you never know what might fly by. Thanks An, I
Speaker 4: don't dast I don't
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